Max Richter, Deutsches Filmorchester Babelsberg, Robert Ziegler, Mari Samuelsen made "VIII. Orlando: Transformation" available on January 27, 2017. The duration of VIII. Orlando: Transformation is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. VIII. Orlando: Transformation's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Three Worlds: Music From Woolf Works". In this album, this song's track order is #8. In terms of popularity, VIII. Orlando: Transformation is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With VIII. Orlando: Transformation by Max Richter, Deutsches Filmorchester Babelsberg, Robert Ziegler, Mari Samuelsen having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tutto è bellissimo | Alberto Giurioli | D Minor | 3 | 7A | 120 BPM | ||
Shifted | Craig Armstrong | C Major | 1 | 8B | 110 BPM | ||
Train Journey | Stephen Warbeck | E Minor | 1 | 9A | 120 BPM | ||
Is It or Isn't It Happening? | J. Ralph | A♭ Major | 2 | 4B | 78 BPM | ||
Wild Swans Suite - Version For Violin And Piano: 2. Eliza Aria | Elena Kats-Chernin, Daniel Hope, Jacques Ammon | F Major | 1 | 7B | 164 BPM | ||
Shadow Journal | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | G Minor | 1 | 6A | 143 BPM | ||
After Gunter's Death | Max Richter | C Major | 8 | 8B | 120 BPM | ||
Partita for Violin Solo No. 2 in D Minor, BWV 1004: 5. Chaconne – Pt. 2 | Johann Sebastian Bach, Mari Samuelsen | D Major | 1 | 10B | 67 BPM | ||
Spotlight | Howard Shore | G Major | 0 | 9B | 68 BPM | ||
The Joke | Lele Marchitelli | A Minor | 0 | 8A | 83 BPM |
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