"Barber: Adagio" by Polish Radio Chamber Orchestra was released on January 1, 2011. Barber: Adagio appears to be safe for all ages as it is not explicit. There are a total of 365 in the song's album "The Year". In this album, this song's track order is #72. Barber: Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Barber: Adagio by Polish Radio Chamber Orchestra having a BPM of 50 with a half-time of 25 BPM and a double-time of 100 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
二つの悲しき旋律: 第2曲: 過ぎし春 | Edvard Grieg, 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
Allegro Scherzino : Flying - Chamber Ensemble Version | José Manuel Ortega Caballo | F♯ Minor | 4 | 11A | 87 BPM | ||
Symphonic Suite "White Night": I. White Night | Heino Eller, Estonian National Symphony Orchestra, Olari Elts | F♯ Minor | 0 | 11A | 108 BPM | ||
Samson et Dalila, Op. 47: Act II: Prelude | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM | ||
Mystic Raga Serenity | Sanseti Sabaru | G Minor | 0 | 6A | 149 BPM | ||
La Tragédie de Salomé, Op. 50: V. Quatrième tableau | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | E Major | 0 | 12B | 77 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM | ||
Suite for String Orchestra, JW6 No. 2: V. Adagio | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | B♭ Major | 0 | 6B | 89 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): I. My Ship: Andante misterioso | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 73 BPM |
Section: 0.5721194744110107
End: 0.5767884254455566