Julie London's 'Too Good To Be True' came out on 1958. The duration of Too Good To Be True is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Too Good To Be True's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Julie London's "Julie Is Her Name, Vol. 2" album is number 4 out of 12. In terms of popularity, Too Good To Be True is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Too Good To Be True by Julie London to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
My One And Only Love | Lorez Alexandria | F Minor | 0 | 4A | 93 BPM | ||
Never Let Me Go | Stacey Kent, Matt Skelton, Dave Chamberlain | E Major | 2 | 12B | 111 BPM | ||
I Lost My Sugar In Salt Lake City - 2002 Remaster | Julie London | F♯ Major | 0 | 2B | 84 BPM | ||
If You Could See Me Now | Vanessa Rubin | E Minor | 1 | 9A | 114 BPM | ||
Goodnight My Love | Rachael & Vilray | A Minor | 2 | 8A | 119 BPM | ||
We'll Be Together Again - 1992 Digital Remaster | The Pied Pipers | B♭ Major | 1 | 6B | 72 BPM | ||
Angel Eyes | Anita O'Day | E♭ Major | 1 | 5B | 95 BPM | ||
The Touch Of Your Lips | Dorothy Dandridge | G Major | 2 | 9B | 109 BPM | ||
Somebody | Dorothy Dandridge | D♭ Major | 2 | 3B | 88 BPM | ||
Sunny | Morgana King | F Minor | 3 | 4A | 121 BPM |
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