Andreas Hammerschmidt, Jordi Savall, Hespèrion XX made "Suite No. 21 in G Major for Winds a 5: I. Courente" available on October 2, 2020. With Suite No. 21 in G Major for Winds a 5: I. Courente being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Andreas Hammerschmidt, Various Artists's "German Baroque - Deutsches Barock - Hammerschmidt to Telemann" album is number 15 out of 30. On top of that, United States appears to be the country where this track was created. Suite No. 21 in G Major for Winds a 5: I. Courente is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Suite No. 21 in G Major for Winds a 5: I. Courente by Andreas Hammerschmidt, Jordi Savall, Hespèrion XX to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lamentations of Jeremiah the Prophet. Lamentations for Good Friday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | A♭ Minor | 0 | 1A | 84 BPM | ||
Galliard, "Heigh Ho Holiday" | Anthony Holborne, Matthias Höfs, Matthias Janz | C Major | 1 | 8B | 121 BPM | ||
Mistresse Nichols Almand from Lachrimae, or Seaven Teares | John Dowland, Fretwork | B♭ Major | 1 | 6B | 150 BPM | ||
Secunda die Lectio prima: VI. Hierusalem convertere ad dominum tuum | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 2 | 2B | 91 BPM | ||
Pieces de violes avec la basse chifree: Suite No. 1 in E Minor: III. Courante | François Couperin, Mikko Perkola, Aapo Häkkinen | D♭ Major | 0 | 3B | 86 BPM | ||
Ich bin die Auferstehung und das Leben, SWV 464 | Heinrich Schütz, Vox Luminis, Lionel Meunier | D Minor | 1 | 7A | 134 BPM | ||
Musicalischer Andacht, Erster Theil: No. 1, O frommer Gott, HAWV 47 | Andreas Hammerschmidt, Ensemble Polyharmonique, Alexander Schneider, Maximilian Ehrhardt, Magnus Andersson, Klaus Eichhorn, Magdalena Harer, Joowon Chung, Vincent Eugene Lesage, Sören Richter, Matthias Lutze | F Major | 1 | 7B | 82 BPM | ||
Byrd: Christe redemptor a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 95 BPM | ||
Jesu, Meine Freude BWV 227: Unter Deinem Schirmen - Choral | Calmus Ensemble | D♭ Minor | 2 | 12A | 83 BPM | ||
Ricercar 13 | Giulio Segni Da Modena, Gawain Glenton, Silas Wollston | A Major | 0 | 11B | 77 BPM |
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