"Von der Wiege bis zum Grabe, S.107 (1996 - Remaster): Zum Grabe (Die Wiege des zukünftigen Lebens)" by Franz Liszt, Gewandhausorchester, Kurt Masur was released on January 23, 2021. Von der Wiege bis zum Grabe, S.107 (1996 - Remaster): Zum Grabe (Die Wiege des zukünftigen Lebens) is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. There are a total of 100 in the song's album "Sleeping Liszt". In this album, this song's track order is #93. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Von der Wiege bis zum Grabe, S.107 (1996 - Remaster): Zum Grabe (Die Wiege des zukünftigen Lebens)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Von der Wiege bis zum Grabe, S.107 (1996 - Remaster): Zum Grabe (Die Wiege des zukünftigen Lebens) by Franz Liszt, Gewandhausorchester, Kurt Masur having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Suite Bergamasque, L. 75: III. Clair de lune (Andante très expressif) | Claude Debussy, Alain Planès | D♭ Major | 0 | 3B | 67 BPM | ||
3 Sonetti di Petrarca (1st version), S158/R10b: Sonetto No. 47. Benedetto sia 'lgiorno | Franz Liszt, Jue Wang | C Major | 2 | 8B | 95 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
6 Pezzi, P. 44: No. 3. Notturno | Ottorino Respighi, Konstantin Scherbakov | F♯ Major | 0 | 2B | 87 BPM | ||
6 Consolations, S. 172: No. 2 in E Major (Un Poco Più Mosso) | Franz Liszt, Daniel Barenboim | B Major | 0 | 1B | 69 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Adagietto | Arash Safaian, Sebastian Knauer | G Major | 0 | 9B | 89 BPM | ||
Liebeslied (Widmung), S. 566 | Franz Liszt, YUNDI | A♭ Major | 0 | 4B | 73 BPM |
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