Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Mady Rahl, Fritz Rasp, Ernst Fritz Fürbringer, Herbert Ernst Groh, Brigitte Mira, Willy Hofmann, Benno Kusche, Esther Rethy made "Arizona Lady: Act II - " Wenn ich so sing, wenn ich so tanze "" available on November 24, 2011. With Arizona Lady: Act II - " Wenn ich so sing, wenn ich so tanze " being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Kalmann: Arizona Lady" album is number 37 out of 45. Based on our statistics, Arizona Lady: Act II - " Wenn ich so sing, wenn ich so tanze "'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Arizona Lady: Act II - " Wenn ich so sing, wenn ich so tanze " by Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Mady Rahl, Fritz Rasp, Ernst Fritz Fürbringer, Herbert Ernst Groh, Brigitte Mira, Willy Hofmann, Benno Kusche, Esther Rethy to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Also sprach Zarathustra, Op. 30, TrV 176: VIII. Das Tanzlied (Live) | Richard Strauss, Bavarian Radio Symphony Orchestra, Mariss Jansons | C Major | 1 | 8B | 87 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kraftig bewegt, doch nicht zu schnell | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | E♭ Minor | 2 | 2A | 113 BPM | ||
Morceau de Concert, Op.94 for Horn and Orchestra: 2. Allegro non troppo | Camille Saint-Saëns, Hermann Baumann, Gewandhausorchester Leipzig, Kurt Masur | F Major | 1 | 7B | 122 BPM | ||
Symphony No. 1 in D Major: II. Kraftig bewegt, doch nicht zu schnell - Trio: Recht gemachlich | Gustav Mahler, Bavarian Radio Symphony Orchestra, Yannick Nézet-Séguin | A Major | 1 | 11B | 176 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Minor | 1 | 6A | 107 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): VII. The Market Place at Limoges | Modest Mussorgsky, Maurice Ravel, Bavarian Radio Symphony Orchestra, Mariss Jansons | G Major | 2 | 9B | 82 BPM | ||
Tristan und Isolde, WWV 90 / Act 3: Prelude - Live | Richard Wagner, Bavarian Radio Symphony Orchestra, Leonard Bernstein | G Major | 3 | 9B | 96 BPM | ||
Serenade for Strings, Op. 22, B. 52: II. Tempo di valse | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Rafael Kubelík | E Minor | 1 | 9A | 80 BPM | ||
Symphony No. 9 in C Major, D. 944 - "The Great": IV. Allegro vivace | Franz Schubert, Bavarian Radio Symphony Orchestra, Eugen Jochum | G Minor | 0 | 6A | 113 BPM | ||
Orchestral Suite No. 1 in C Major, BWV 1066: IV. Forlane (Live) | Johann Sebastian Bach, Bavarian Radio Symphony Orchestra, Giovanni Antonini | A Major | 1 | 11B | 107 BPM |
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