Ayumi Ishida made "喧嘩のあとでくちづけを" available on December 17, 2008. The duration of 喧嘩のあとでくちづけを is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. 喧嘩のあとでくちづけを's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in いしだあゆみ ゴールデンベスト, so we believe that "喧嘩のあとでくちづけを" is a single. In terms of popularity, 喧嘩のあとでくちづけを is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of 喧嘩のあとでくちづけを by Ayumi Ishida is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
大阪つばめ | Sayuri Ishikawa | A Major | 6 | 11B | 146 BPM | ||
さよなら、今日は | Rie Asakura | B Major | 5 | 1B | 101 BPM | ||
ムーン・ライト | Ayumi Ishida, ティン・パン・アレー | C Major | 3 | 8B | 148 BPM | ||
ときめき | Megumi Asaoka | D♭ Major | 6 | 3B | 142 BPM | ||
大阪の女 (ひと) | Ayumi Ishida | A Major | 1 | 11B | 80 BPM | ||
恋のフーガ | The Peanuts | B♭ Minor | 5 | 3A | 139 BPM | ||
振り向けばジェラシー | Monta & Brothers | A Minor | 7 | 8A | 117 BPM | ||
恋しているんだもん | Chiyoko Shimakura | A♭ Minor | 3 | 1A | 104 BPM | ||
想い出ぼろぼろ | Yasuko Naito | G Minor | 8 | 6A | 153 BPM | ||
Ashita Akuma ni Naare | Midori Kinouchi | C Minor | 1 | 5A | 141 BPM |
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