"Suite Española No. 1, Op. 47: No. 1, Granada (Serenata) [Arranged by John Williams for Guitar]" by Isaac Albéniz, John Williams was released on 1981. With this song being about 5 minutes long, at 4:35, "Suite Española No. 1, Op. 47: No. 1, Granada (Serenata) [Arranged by John Williams for Guitar]" by Isaac Albéniz, John Williams is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 9 in Echoes of Spain by Isaac Albéniz, John Williams. Based on our statistics, Suite Española No. 1, Op. 47: No. 1, Granada (Serenata) [Arranged by John Williams for Guitar]'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Suite Española No. 1, Op. 47: No. 1, Granada (Serenata) [Arranged by John Williams for Guitar] by Isaac Albéniz, John Williams is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Koyunbaba: Part 3 | Carlo Domeniconi, John Williams | D♭ Minor | 1 | 12A | 106 BPM | ||
Gnossienne No. 5 | Lavinia Meijer | E Minor | 0 | 9A | 62 BPM | ||
Iberia "Suite pour orchestre": No. 3, Triana | Isaac Albéniz, Enrique Fernández Arbós, Orquesta De Valencia, Manuel Galduf, Enrique Perez de Guzman | F♯ Minor | 1 | 11A | 97 BPM | ||
Four Horsemen of the Apocalypse: Theme | André Previn, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 83 BPM | ||
Pavane pour une infante défunte, M. 19 (Version for Orchestra) | Maurice Ravel, Myron Bloom, Orchestre de Paris, Daniel Barenboim | G Major | 0 | 9B | 76 BPM | ||
Syrinx, L. 129 | Claude Debussy, James Galway, Marisa Robles, Graham Oppenheimer, Chamber Orchestra of Europe | C Major | 1 | 8B | 79 BPM | ||
The Magic Box | Francis Bebey, John Williams | A Minor | 2 | 8A | 75 BPM | ||
El Niqo | Antonio Lauro, John Williams | F♯ Minor | 1 | 11A | 114 BPM | ||
Courante | George Frideric Handel, John Williams | D Major | 3 | 10B | 95 BPM | ||
Concierto de Aranjuez: II. Adagio | Daniel Barenboim, John Williams, English Chamber Orchestra, James Brown | B Minor | 1 | 10A | 84 BPM |
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