"Johannespassion, BWV 245, Pt. 1 No. 12c: Er leugnete aber und sprach (Evangelist, Petrus, Servus)" by Johann Sebastian Bach, Fritz Wunderlich, Karl Christian Kohn, Horst Schäfertöns, Karl Forster, Berliner Symphoniker was released on January 18, 2021. With Johannespassion, BWV 245, Pt. 1 No. 12c: Er leugnete aber und sprach (Evangelist, Petrus, Servus) being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Work - Bach by Johann Sebastian Bach. The song's track number on the album is #237 out of 250 tracks. The popularity of Johannespassion, BWV 245, Pt. 1 No. 12c: Er leugnete aber und sprach (Evangelist, Petrus, Servus) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Johannespassion, BWV 245, Pt. 1 No. 12c: Er leugnete aber und sprach (Evangelist, Petrus, Servus) by Johann Sebastian Bach, Fritz Wunderlich, Karl Christian Kohn, Horst Schäfertöns, Karl Forster, Berliner Symphoniker has a tempo of 175 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Johannespassion, BWV 245, Pt. 1 No. 12c: Er leugnete aber und sprach (Evangelist, Petrus, Servus) being at 175 BPM, the half-time would be 88 BPM with a double-time of 350 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 128 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
Suite Bergamasque, L. 75: III. Clair de lune (Andante très expressif) | Claude Debussy, Alain Planès | D♭ Major | 0 | 3B | 67 BPM | ||
Nocturne No.6 In G Minor, Op.15 No.3 | Frédéric Chopin, Maurizio Pollini | D Minor | 0 | 7A | 105 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Piano Concerto No. 2 in B Flat Major, Op. 19: II. Adagio | Ludwig van Beethoven, Krystian Zimerman, London Symphony Orchestra, Sir Simon Rattle | E♭ Major | 0 | 5B | 71 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM |
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