- BPM
- 128
- Key
- B♭ Major
- Camelot
- 6B
18 Chorales, BWV 651-668, "Leipziger Chorale": Nun komm der Heiden Heiland, BWV 659 (arr. W. Kempff) - Johann Sebastian Bach, Wilhelm Kempff, Idil Biret Information
- Acousticness
- 100%
- Danceability
- 36%
- Energy
- 1%
- Instrumentalness
- 90%
- Liveness
- 7%
- Loudness
- 43%
- Speechiness
- 6%
- Valence
- 8%
- Popularity
- 2%
- Loudness
- -34.342 dB
Summary
"18 Chorales, BWV 651-668, "Leipziger Chorale": Nun komm der Heiden Heiland, BWV 659 (arr. W. Kempff)" by Johann Sebastian Bach, Wilhelm Kempff, Idil Biret was released on May 20, 1992. With this song being about 5 minutes long, at 4:50, "18 Chorales, BWV 651-668, "Leipziger Chorale": Nun komm der Heiden Heiland, BWV 659 (arr. W. Kempff)" by Johann Sebastian Bach, Wilhelm Kempff, Idil Biret is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wilhelm Kempff, Idil Biret's "Kempff: Italian Suite / Piano Sonata / Transcriptions" album is number 1 out of 20. Based on our statistics, 18 Chorales, BWV 651-668, "Leipziger Chorale": Nun komm der Heiden Heiland, BWV 659 (arr. W. Kempff)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
18 Chorales, BWV 651-668, "Leipziger Chorale": Nun komm der Heiden Heiland, BWV 659 (arr. W. Kempff) BPM
We consider the tempo marking of 18 Chorales, BWV 651-668, "Leipziger Chorale": Nun komm der Heiden Heiland, BWV 659 (arr. W. Kempff) by Johann Sebastian Bach, Wilhelm Kempff, Idil Biret to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
18 Chorales, BWV 651-668, "Leipziger Chorale": Nun komm der Heiden Heiland, BWV 659 (arr. W. Kempff) Key
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | |
 | Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | |
 | Piano Concerto No. 5 in E-Flat Major, Op. 73: II. Adagio un poco mosso | Ludwig van Beethoven, Berliner Philharmoniker, Sir Simon Rattle, Mitsuko Uchida | B Major | 0 | 1B | 81 BPM | |
 | Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | |
 | Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | |
 | Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | |
 | Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | |
 | Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | |
 | Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo | Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | G Major | 2 | 9B | 81 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7842578887939453
End: 0.7878484725952148