"Gloria: I. Allegro vivace" by John Rutter, Mary Seers, Mary Hitch, Caroline Ashton, The Cambridge Singers, John Scott, Gary Kettel, Eric Allen, The Philip Jones Brass Ensemble was released on September 1, 2005. With this song being about 5 minutes long, at 4:50, "Gloria: I. Allegro vivace" by John Rutter, Mary Seers, Mary Hitch, Caroline Ashton, The Cambridge Singers, John Scott, Gary Kettel, Eric Allen, The Philip Jones Brass Ensemble is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in John Rutter, The Cambridge Singers's "Gloria - The Sacred Music Of John Rutter" album is number 1 out of 17. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Gloria: I. Allegro vivace is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gloria: I. Allegro vivace by John Rutter, Mary Seers, Mary Hitch, Caroline Ashton, The Cambridge Singers, John Scott, Gary Kettel, Eric Allen, The Philip Jones Brass Ensemble to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flower of Beauty | John Clements, Westminster Choir, Joe Miller | E♭ Major | 1 | 5B | 85 BPM | ||
Messiah / Part 2: 42. Chorus: "Hallelujah" | George Frideric Handel, Vienna Boys' Choir, Chorus Viennensis, Wiener Symphoniker, Uwe Christian Harrer, Michael G. Gormley | D Major | 2 | 10B | 97 BPM | ||
Christ is Made the Sure Foundation (Arr. O'Donnell) | Henry Purcell, The Choir Of Westminster Abbey, The Choir of His Majesty's Chapel Royal, St James's Palace, Choristers from Truro Cathedral Choir, Choristers from Chapel Choir of Methodist College Belfast, Octet from the Monteverdi Choir, Andrew Nethsingha, Peter Holder, Fanfare Trumpeters Of The Royal Air Force, Wing Commander Piers Morrell | A Major | 2 | 11B | 137 BPM | ||
Seek Him That Maketh the Seven Stars | Jonathan Dove, Tenebrae | C Major | 1 | 8B | 63 BPM | ||
Jubilate Deo | Benjamin Britten, Choir of St. John's College, Cambridge, Iain Farrington, Christopher Robinson | C Major | 0 | 8B | 107 BPM | ||
And So It Goes - Arr. Bob Chilcott | The King's Singers | C Major | 0 | 8B | 82 BPM | ||
Come down O love divine | Ralph Vaughan Williams, St. Paul's Cathedral Choir, Malcolm Archer | B♭ Major | 2 | 6B | 89 BPM | ||
Magnificat: VII. Gloria Patri | John Rutter, City of London Sinfonia, The Cambridge Singers | G Major | 1 | 9B | 71 BPM | ||
Tallis: If Ye Love Me | Chanticleer | F♯ Major | 0 | 2B | 72 BPM | ||
Victoria: Ave Maria, for Double Choir - 1. Ave Maria, gratia plena | Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars | A Minor | 1 | 8A | 93 BPM |
Section: 0.5482981204986572
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