Peter-Lukas Graf, Orchestre de Chambre de Lausanne, Ursula Holliger's 'Double Concerto For Flute, Harp & Orchestra K. 299: Allegro' came out on January 1, 1987. Since Double Concerto For Flute, Harp & Orchestra K. 299: Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ursula Holliger's "Mozart: Konzert KV 299 für Flöte, Harfe und Orchester / Spohr: Concertante Nr. I für Violine, Harfe und Orchester" album is number 1 out of 6. Based on our statistics, Double Concerto For Flute, Harp & Orchestra K. 299: Allegro's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Double Concerto For Flute, Harp & Orchestra K. 299: Allegro by Peter-Lukas Graf, Orchestre de Chambre de Lausanne, Ursula Holliger to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stoptime Rag | Scott Joplin, Peter-Lukas Graf, Gérard Wyss | G Major | 2 | 9B | 133 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 4 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 2 | 12B | 83 BPM | ||
Serenade in D Major, Op. 77a: I. Allegro | Max Reger, Peter-Lukas Graf, Sándor Végh, Rainer Moog | A♭ Major | 1 | 4B | 69 BPM | ||
Violinkonzert G-moll Bwv 1056 - 2. Largo - Arrangement Für Flöte Und Orchester | Philippe Racine, English Chamber Orchestra, Simon Preston | B♭ Major | 1 | 6B | 99 BPM | ||
Oriental | Pattapio Silva, Guilherme Andreas, Gianne Ge Zhu | D Minor | 2 | 7A | 74 BPM | ||
Haydn: The Seven Last Words of Christ, Hob. XX:1: Sonata IV. "Deus meus, ut quid dereliquisti me?" | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 3 | 6A | 115 BPM | ||
Symphony No. 4 in D Major: II. Menuetto | Joseph Haydn, Alberto Lizzio, Bamberger Kammerorchester | F Major | 0 | 7B | 67 BPM | ||
A Child of our Time, Part III: Preludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Concerto for 2 violins in D minor 2nd movement | Hajime Mizoguchi | F Major | 1 | 7B | 95 BPM | ||
Romantic Pieces, Op.75, Allegro maestoso | アントニーン・ドヴォルザーク, KIM NAYOUNG | D Minor | 3 | 7A | 100 BPM |
Section: 0.6371629238128662
End: 0.6424205303192139