"Cavalleria rusticana: Preludio" by Pietro Mascagni, Philharmonia Orchestra, Giuseppe Sinopoli was released on January 1, 1990. The duration of Cavalleria rusticana: Preludio is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Cavalleria rusticana: Preludio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pietro Mascagni, Philharmonia Orchestra, Giuseppe Sinopoli, Agnes Baltsa, Plácido Domingo, Vera Baniewicz, Juan Pons, Susanne Mentzer, Chorus of the Royal Opera House, Covent Garden, Robin Stapleton's "Mascagni: Cavalleria Rusticana" album is number 1 out of 22. The popularity of Cavalleria rusticana: Preludio is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavalleria rusticana: Preludio by Pietro Mascagni, Philharmonia Orchestra, Giuseppe Sinopoli to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 2: "Quando m'en vo'" (Musetta's Waltz) | Giacomo Puccini, BBC Concert Orchestra, Barry Wordsworth | A Major | 3 | 11B | 139 BPM | ||
Rinaldo, HWV 7a, Act II, Scene 4: Lascia ch'io pianga - Arr. for French Horn | George Frideric Handel, Felix Klieser, CHAARTS Chamber Artists | B Major | 0 | 1B | 97 BPM | ||
Gianni Schicchi: "O mio Babbino caro" | Giacomo Puccini, BBC Concert Orchestra, Barry Wordsworth | A♭ Major | 2 | 4B | 89 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act II: Humming Chorus | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 83 BPM | ||
Má Vlast, JB 1:112: The Moldau (Vltava) [Excerpt] | Bedřich Smetana, Leopold Stokowski, RCA Victor Symphony Orchestra | C Major | 2 | 8B | 74 BPM | ||
Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 89 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Daniel Barenboim, Cecilia Bartoli, Berliner Philharmoniker | D Minor | 0 | 7A | 121 BPM | ||
Klavierkonzert Nr. 21 C-Dur, K. 467, "Elvira Madigan": 2. Andante (Elvira Madigan): II. Andante | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, András Ligeti | F Major | 0 | 7B | 126 BPM | ||
Le grand cahier: I. La forêt et la rivière | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | G Major | 1 | 9B | 115 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM |
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