Schola gregoriana mediolanensis, Giovanni Vianini's 'Kyrie: Kyrie - Christe (I modo - Missa "Cum Jubilo", XII sec.)' came out on June 19, 1998. The duration of Kyrie: Kyrie - Christe (I modo - Missa "Cum Jubilo", XII sec.) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Kyrie: Kyrie - Christe (I modo - Missa "Cum Jubilo", XII sec.)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Umile ed alta più che creatura (Gregorian chant in Marian devotion)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Italy. In terms of popularity, Kyrie: Kyrie - Christe (I modo - Missa "Cum Jubilo", XII sec.) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kyrie: Kyrie - Christe (I modo - Missa "Cum Jubilo", XII sec.) by Schola gregoriana mediolanensis, Giovanni Vianini having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantemus Domino | Coro dei monaci dell'Abbazia di Chiaravalle milanese, Giuseppe Gaffurini | F Major | 1 | 7B | 132 BPM | ||
Office des laudes : Respons vidi angelum | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F♯ Major | 0 | 2B | 128 BPM | ||
Gracious Mother of Our Redeemer (Alma Redemptoris Mater) | St. Patrick Orthodox Church Choir | E Major | 0 | 12B | 120 BPM | ||
Alleluia "Post partum" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | G Major | 6 | 9B | 110 BPM | ||
Messe de la toussaint : Agnus iii | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | A Minor | 0 | 8A | 131 BPM | ||
Populus Sion (Isaiah 30, 19-30) | Coro dei monaci dell'Abbazia di Chiaravalle milanese, Giuseppe Gaffurini | F Major | 1 | 7B | 132 BPM | ||
Antiphona: Salve Regina, Modo I | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | F Minor | 0 | 4A | 127 BPM | ||
Jesu quadragenarie (Ad vesperas hymnus) | Coro dei monaci dell'Abbazia di Chiaravalle milanese, Giuseppe Gaffurini | F Major | 1 | 7B | 132 BPM | ||
Del Kyriale: Agnus Dei del Tono IV | Pro Musica Gregoriana | D♭ Major | 1 | 3B | 68 BPM | ||
Te Splendor (Matins Of St. Michael The Archangel) | Carmelite Sisters | G Major | 2 | 9B | 147 BPM |
Section: 0.439481258392334
End: 0.4438207149505615