Sonny James made "You're The Only World I Know" available on November 11, 1966. The duration of You're The Only World I Know is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. You're The Only World I Know's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The Best Of Sonny James". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, You're The Only World I Know's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With You're The Only World I Know by Sonny James having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Can't Stop Lovin' You | Don Gibson | B Major | 4 | 1B | 82 BPM | ||
'Til The Last Leaf Shall Fall | Sonny James | C Major | 4 | 8B | 117 BPM | ||
Roll Muddy River | George Hamilton IV | E Major | 5 | 12B | 141 BPM | ||
Midnight, Me And The Blues | Mel Tillis | E♭ Major | 3 | 5B | 132 BPM | ||
A Song to Sing | Susan Raye | E♭ Major | 4 | 5B | 179 BPM | ||
I'll Call You Charlie (You Call Me Joan) | George Morgan, Marion Worth | G Major | 2 | 9B | 79 BPM | ||
Almost Persuaded | David Houston | A♭ Major | 4 | 4B | 83 BPM | ||
It Makes No Difference Now | Jimmie Davis | G Major | 3 | 9B | 150 BPM | ||
You're Driving You out of My Mind | Carl Belew | D Major | 3 | 10B | 87 BPM | ||
Another Lonely Night | Jean Shepard | E Major | 6 | 12B | 199 BPM |
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