"The Archway" by Luke Abbott had its release date on March 29, 2019. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Luke Abbott's "Music from the Edge of an Island" album is number 4 out of 10. In terms of popularity, The Archway is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of The Archway by Luke Abbott to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ways Regained | Pye Corner Audio | D Major | 2 | 10B | 84 BPM | ||
Peak Bandwidth | Photay | E Minor | 1 | 9A | 90 BPM | ||
Evensong | Sarah Davachi | E♭ Major | 1 | 5B | 133 BPM | ||
Swansong | Luke Abbott | G Major | 5 | 9B | 128 BPM | ||
Suspended Motion | Gaussian Curve | B Minor | 2 | 10A | 136 BPM | ||
Loph | Sofie Birch | C Minor | 3 | 5A | 141 BPM | ||
2400 | Martyn Heyne | E♭ Minor | 1 | 2A | 104 BPM | ||
Reproduction | Arovane, Porya Hatami | D♭ Major | 2 | 3B | 0 BPM | ||
Day Dreams | Kuniyuki Takahashi | B Minor | 1 | 10A | 141 BPM | ||
Before Meaning Comes | Ian William Craig | B Major | 1 | 1B | 130 BPM | ||
2nd 5th Heavy | Luke Abbott | A♭ Major | 3 | 4B | 80 BPM | ||
X 4Ewi | Kara-Lis Coverdale | F Minor | 4 | 4A | 90 BPM | ||
The Gates Made Plain | Craig Leon | D Major | 1 | 10B | 152 BPM | ||
Such Owls As You | Brambles | A♭ Minor | 3 | 1A | 120 BPM | ||
In Åland Air | Jeremiah Chiu, Marta Sofia Honer | D♭ Major | 4 | 3B | 114 BPM | ||
_Sealevel.1 | Simon Scott | G Minor | 3 | 6A | 105 BPM | ||
Refuge/Refuse | Rafael Anton Irisarri | F♯ Major | 2 | 2B | 72 BPM | ||
Reverie for Fragile Houseplants | Tomaga | C Major | 4 | 8B | 142 BPM | ||
FLUX TWO | Robert Turman | A Minor | 4 | 8A | 82 BPM | ||
More Light | Bochum Welt | C Major | 4 | 8B | 101 BPM | ||
Rain on Ancient Quays | Pauline Anna Strom | D♭ Minor | 3 | 12A | 115 BPM | ||
Milk | Kaitlyn Aurelia Smith | E♭ Major | 0 | 5B | 84 BPM | ||
Solitary Refinement | Neil Cowley, Ben Lukas Boysen | A♭ Minor | 3 | 1A | 101 BPM | ||
Anti-stress For Babies And Families | Suso Saiz | B Minor | 0 | 10A | 140 BPM | ||
Phasma Gigas | Molero | D Minor | 4 | 7A | 78 BPM |