On February 7, 2017, the song "Chapter 24 - Stamped from the Beginning - The Definitive History of Racist Ideas in America" was released by Ibram X. Kendi, Christopher Dontrell Piper. The duration of Chapter 24 - Stamped from the Beginning - The Definitive History of Racist Ideas in America is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Chapter 24 - Stamped from the Beginning - The Definitive History of Racist Ideas in America's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 391 in the song's album "Stamped from the Beginning - The Definitive History of Racist Ideas in America (Unabridged)". In this album, this song's track order is #24. Chapter 24 - Stamped from the Beginning - The Definitive History of Racist Ideas in America is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Chapter 24 - Stamped from the Beginning - The Definitive History of Racist Ideas in America by Ibram X. Kendi, Christopher Dontrell Piper having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chapter 99 - Mortal Engines - Mortal Engines, Book 1 | Philip Reeve, Barnaby Edwards | C Major | 5 | 8B | 120 BPM | ||
For a Moment | Written to Speak | C Major | 2 | 8B | 58 BPM | ||
Field Trip | O. Penn-Coughin | F♯ Major | 3 | 2B | 130 BPM | ||
Excerpt from the book "The Asylum For Wayward Victorian Girls" | Emilie Autumn | D♭ Major | 2 | 3B | 87 BPM | ||
Terry Tibbs - Maserati | Fonejacker | C Major | 3 | 8B | 102 BPM | ||
Chapter 16.8 & Chapter 17.1 - 1984 | George Orwell | A Major | 2 | 11B | 121 BPM | ||
Walt Whitman - 1861 | Richard Mitchley | A Minor | 2 | 8A | 96 BPM | ||
A Princess in Theory - Reluctant Royals 1, Chapter 1 | Alyssa Cole, Karen Chilton | D Major | 2 | 10B | 105 BPM | ||
The real message - Part 6 | MindMatters | B♭ Minor | 4 | 3A | 68 BPM | ||
Chapter 26 - Life, the Universe and Everything - The Hitchhiker's Guide to the Galaxy, Book 3 | Douglas Adams, Martin Freeman | G Major | 3 | 9B | 138 BPM |
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