"Mystery (Rosary) Sonata No. 11 in G Major, The Resurrection: I. Sonata" by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti was released on February 17, 2023. The duration of Mystery (Rosary) Sonata No. 11 in G Major, The Resurrection: I. Sonata is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Mystery (Rosary) Sonata No. 11 in G Major, The Resurrection: I. Sonata's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 46 in Biber: Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Mystery (Rosary) Sonata No. 11 in G Major, The Resurrection: I. Sonata's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mystery (Rosary) Sonata No. 11 in G Major, The Resurrection: I. Sonata by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto di Flauti, S.D945: III. Presto | Alessandro Marcello, Dorothee Oberlinger | G Major | 1 | 9B | 143 BPM | ||
Mensa sonora / PARS I (In D Major): 5. Gavotte | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 81 BPM | ||
Violin Sonata in G Minor: II. Courante | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | F♯ Minor | 2 | 11A | 156 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante | Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | D Minor | 1 | 7A | 72 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Première Suite: Prélude | Jordi Savall, Ton Koopman, Ariane Maurette | F Major | 0 | 7B | 80 BPM | ||
12 Sonatas, Opera XVI, Op. 16 No. 1 (Excerpts): II. Largo | Isabella Leonarda, Emanuele Breda, Barbara Mauch-Heinke, Daniela Wartenberg, Toshinori Ozaki, Sofya Gandilyan | A Minor | 2 | 8A | 127 BPM | ||
Sonata Da Camera No. 7 in D minor, Op. 5: III. Sarabanda (Largo) | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | D♭ Minor | 1 | 12A | 139 BPM | ||
Sinfonia No. 6 in G minor (arrangement of oratorio sinfonia San Elena al Calvario): Sant' Elena al Calvario: Introduzione, "Sinfonia No. 6 in G Minor" | Antonio Caldara, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Concert XLVIIIe siècle "Le Raporté": Chaconne raportée à deux violes esgales | Monsieur de Sainte-Colombe, Sophie Watillon, Friederike Heumann | F♯ Minor | 0 | 11A | 157 BPM |
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