- BPM
- 128
- Key
- D Minor
- Camelot
- 7A
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera - Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker Information
- Acousticness
- 88%
- Danceability
- 44%
- Energy
- 13%
- Instrumentalness
- 0%
- Liveness
- 8%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 63%
- Popularity
- 4%
- Loudness
- -23.327 dB
Summary
Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker made "Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera" available on January 5, 2005. The duration of Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #2. Based on our statistics, Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera BPM
With Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera by Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: Fortune plango vulnera Key
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | I vespri siciliani: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Major | 2 | 12B | 77 BPM | |
 | Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Alles Vergangliche ist nur ein Gleichnis | Gustav Mahler, Barbara Kubiak, Izabela Klosinska, Marta Boberska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | F Minor | 2 | 4A | 87 BPM | |
 | Hungarian Rhapsody No.2 In C Sharp Minor, S.244 | Franz Liszt, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 170 BPM | |
 | Grieg: Suite No. 2 from Peer Gynt, Op. 55: I. The Abduction of the Bride - Ingrid's Lament | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Minor | 1 | 6A | 98 BPM | |
 | Mahler: Symphony No. 2, "Resurrection": V. (c) Maestoso, sehr züruckhaltend - Allegro energico - Kräftig - Wieder etwas gehaltener - Mit einem Male etwas wuchtiger - | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | B♭ Major | 3 | 6B | 63 BPM | |
 | Parsifal, WWV 111 / Act I: Verwandlungsmusik | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 91 BPM | |
 | Bizet: Carmen, Act 1: "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Jonas Kaufmann, Magdalena Kozená | F♯ Minor | 0 | 11A | 83 BPM | |
 | Symphonie fantastique, Op. 14: 5. Songe d'une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso) | Hector Berlioz, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 124 BPM | |
 | Cello Concerto In B Minor, Op. 104, B. 191: II. Adagio ma non troppo | Antonín Dvořák, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 70 BPM | |
 | Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VII. Amor volat undique (The Goddess of Love flies everywhere) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | G Major | 0 | 9B | 71 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7556562423706055
End: 0.7597734928131104