Oliver Pötzsch, Johannes Steck's ' "Die Henkerstochter und der Teufel von Bamberg, Teil 33.3 & Die Henkerstochter und der Teufel von Bamberg, Teil 34.1 - Die Henkerstochter und der Teufel von Bamberg (Die Henkerstochter-Saga 5)" was released on its scheduled release date, August 8, 2014. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 52 out of 131 in Die Henkerstochter und der Teufel von Bamberg (Die Henkerstochter-Saga 5) by Johannes Steck, Oliver Pötzsch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Die Henkerstochter und der Teufel von Bamberg, Teil 33.3 & Die Henkerstochter und der Teufel von Bamberg, Teil 34.1 - Die Henkerstochter und der Teufel von Bamberg (Die Henkerstochter-Saga 5) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Die Henkerstochter und der Teufel von Bamberg, Teil 33.3 & Die Henkerstochter und der Teufel von Bamberg, Teil 34.1 - Die Henkerstochter und der Teufel von Bamberg (Die Henkerstochter-Saga 5) by Oliver Pötzsch, Johannes Steck is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kapitel 2 - Die Waffen des Lichts - Kingsbridge-Roman, Band 5 | Ken Follett, Tobias Kluckert | F♯ Major | 4 | 2B | 72 BPM | ||
Teil 2 - Am Ende die Rache | Volker Dützer, Omid-Paul Eftekhari | F♯ Major | 3 | 2B | 83 BPM | ||
Kapitel 142 - Das Grab der Märtyrerin - Warhammer 40.000: Feuerdämmerung 6 | Marc Collins, Johannes Steck | A♭ Minor | 4 | 1A | 132 BPM | ||
Kapitel 144 - Game Changer | Douglas E. Richards, Matthias Lühn | D♭ Major | 3 | 3B | 100 BPM | ||
Kapitel 18 - Das Lied des Schwanenritters - Historischer Roman | Birgit Jasmund, Karoline Mask von Oppen | F Major | 4 | 7B | 132 BPM | ||
Forsberg und das verschwundene Mädchen - Teil 014 | Ben Tomasson, Markus Hoffmann | B Minor | 4 | 10A | 90 BPM | ||
Kapitel 16 - Die Waffen des Lichts - Kingsbridge-Roman, Band 5 | Ken Follett, Tobias Kluckert | F♯ Major | 4 | 2B | 72 BPM | ||
Kapitel 48 - Abgetrennt - Die Paul Herzfeld-Reihe, Band 3 | Michael Tsokos, Johannes Steck | A♭ Minor | 5 | 1A | 109 BPM | ||
Kapitel 17 - Der Wundennäher - Drosten & Sommer, Band 17 | Marcus Hünnebeck, Günter Merlau | A Major | 4 | 11B | 130 BPM | ||
Kapitel 14 - Das verborgene Paradies | Luca Di Fulvio, Philipp Schepmann | F♯ Major | 4 | 2B | 125 BPM |