Richard Wagner, Wolfgang Windgassen, Else-Margrete Gardelli, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch's 'Tannhäuser, WWV 70 / Act I: "Zu dir wall ich, mein Jesus Christ"' came out on January 1, 1962. Tannhäuser, WWV 70 / Act I: "Zu dir wall ich, mein Jesus Christ" is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. This song is part of Wagner: Tannhäuser by Richard Wagner, Anja Silja, Grace Bumbry, Wolfgang Windgassen, Eberhard Wächter, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch. The song's track number on the album is #8 out of 37 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Tannhäuser, WWV 70 / Act I: "Zu dir wall ich, mein Jesus Christ" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tannhäuser, WWV 70 / Act I: "Zu dir wall ich, mein Jesus Christ" by Richard Wagner, Wolfgang Windgassen, Else-Margrete Gardelli, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tannhäuser, WWV 70 / Act I: "Zu dir wall ich, mein Jesus Christ" being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Version for String Orchestra) | Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra | B♭ Major | 0 | 6B | 121 BPM | ||
Schubert: Salve Regina in C Major, Op. Posth. 149, D. 811 | Franz Schubert, Capella Bavariae/Wolfgang Sawallisch, Capella Bavariae, Wolfgang Sawallisch | C Major | 2 | 8B | 129 BPM | ||
Lohengrin, WWV 75 / Act I: "Nun sei bedankt, mein lieber Schwan!" | Richard Wagner, Siegfried Jerusalem, Kurt Moll, Cheryl Studer, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 147 BPM | ||
Humperdinck : Hänsel und Gretel : Act 1 "Doch halt, wo bleiben die Kinder?" [Father, Stepmother] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 133 BPM | ||
Te Deum in D Major "Dettingen", HWV 283: Dignare o Domine | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 109 BPM | ||
Les 7 paroles du Christ: 2e Parole - "Hodie mecum eris in Paradiso" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 0 | 7A | 66 BPM | ||
La Boheme, dritter Akt: Dunque e proprio finita | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
La Fanciulla del West / Act 1: Che faranno i vecchi miei | Giacomo Puccini, Gwynne Howell, Francis Egerton, Paul Crook, Robin Leggate, Jonathan Summers, Tom McDonnell, William Elvin, John Dobson, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta, Chorus of the Royal Opera House, Covent Garden, Robin Stapleton | G Major | 0 | 9B | 120 BPM | ||
Jenufa / Act 1: Co ty, Jenufo | Leoš Janáček, Marie Mrazova, Peter Dvorsky, Elisabeth Söderström, Vaclav Zitek, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Charles Mackerras | A♭ Major | 3 | 4B | 145 BPM | ||
Siegfried, WWV 86C / Act I: Notung! Notung! Neidliches Schwert! | Richard Wagner, Jess Thomas, Gerhard Stolze, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 76 BPM |
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