Lou Harrison, Patricia Jennerjohn, Machiko Kobialka, Daniel Kobialka, Don Marconi, James Barbagallo, Jerome Neff, Robert Hughes made "Concerto In Slendro: III. Allegro" available on January 1, 2006. The duration of Concerto In Slendro: III. Allegro is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Concerto In Slendro: III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lou Harrison, Gamelan Sekar Kembar, Paul Price's "Lou Harrison: Chamber & Gamelan Works" album is number 3 out of 14. On top of that, United States appears to be the country where this track was created. In terms of popularity, Concerto In Slendro: III. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto In Slendro: III. Allegro by Lou Harrison, Patricia Jennerjohn, Machiko Kobialka, Daniel Kobialka, Don Marconi, James Barbagallo, Jerome Neff, Robert Hughes to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Voice in a massive pipe | Upside Down Upright Bass | C Minor | 2 | 5A | 126 BPM | ||
In Nomine-Instrumentation colorée I (2001) for flute, oboe, bass clarinet, percussion, piano, violin, viola and Violoncello | John Taverner, Gérard Pesson, Ensemble Recherche | D Major | 3 | 10B | 120 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
Trois estampes: No. 2, La bouée orange | Carlo Francesco Defranceschi, Valentina Lombardo | F Minor | 0 | 4A | 88 BPM | ||
Enthusiasm for Flute and Viola | Paul Hindemith, Stathis Karapanos, David Aaron Carpenter | G Major | 0 | 9B | 113 BPM | ||
Shattered Reflections | Ambient Alchemy | D♭ Major | 0 | 3B | 171 BPM | ||
Being Time | Reganbogen | A Minor | 0 | 8A | 113 BPM | ||
Suite Bergamesque, L. 75: III. Clair de lune (Transcr. V. Coeur) | Claude Debussy, Ernitine Stoop, Nieuw Sinfonietta Amsterdam | A Minor | 1 | 8A | 74 BPM | ||
Allegro Scherzino : Flying - Chamber Ensemble Version | José Manuel Ortega Caballo | F♯ Minor | 4 | 11A | 87 BPM | ||
Wind Chime | Serene Rose | A Major | 0 | 11B | 70 BPM |
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