Traditional, Sinikka Kontio, Matti Kontio, Tapiola Choir, Kari Ala-Pöllanen's ' "Pikkulinnun ylistys (Little Bird's Adoration)" was released on its scheduled release date, January 1, 1992. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 29 out of 33 in Choral Concert: Tapiola Choir - Merikanto, O. / Sibelius, J. / Pacius, F. / Tormis, V. / Mellnas, A. / Sallinen, A. / Jalkanen, P. / Hannikainen, P. by Tapiola Choir, Jorma Panula, Kari Ala-Pöllanen, Erkki Pohjola, Osmo Vänskä. Going off of the ISRC code of this track, we detected that the origin of this track is from Finland. Based on our statistics, Pikkulinnun ylistys (Little Bird's Adoration)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Pikkulinnun ylistys (Little Bird's Adoration) by Traditional, Sinikka Kontio, Matti Kontio, Tapiola Choir, Kari Ala-Pöllanen is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adoramus Te Domine | The Songs of Taize Session Singers | G Major | 1 | 9B | 86 BPM | ||
Hymn: Veni creator spiritus | Rabanus Maurus, Anonymous 4 | B♭ Major | 0 | 6B | 98 BPM | ||
Somma: Ave Maria | Bonaventura Somma, Schola Cantorum San Daniele, Angelo Zanatta, Donato Cuzzato | A♭ Major | 1 | 4B | 87 BPM | ||
Scarborough Fair (Arr. Fraser Wilson) | Traditional, Apollo5 | A Minor | 1 | 8A | 177 BPM | ||
Confitemini Domino | The Songs of Taize Session Singers | E Minor | 0 | 9A | 76 BPM | ||
Responsorium | Chants From the Holyland- Graz Gregorian Chants School of Austri | B Minor | 2 | 10A | 73 BPM | ||
Ostinato vos seguire | Bartolomeo Tromboncino, Capella De La Torre, Katharina Bauml | F Major | 2 | 7B | 87 BPM | ||
Hole in the Wall (From Abdelazer) | Henry Purcell, Bjarte Eike, Barokksolistene | B♭ Major | 3 | 6B | 110 BPM | ||
Sisask : Gloria Patri... 24 Hymns for Mixed Choir : XVII Dominus vobiscum | Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann | D Major | 0 | 10B | 109 BPM | ||
The Sound of Spirit | Los Angeles Master Chorale | D♭ Major | 1 | 3B | 91 BPM |