| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Panagia Despina | Les Moines du Mont Athos, Monahi tou Agiou Orous | B♭ Minor | 1 | 3A | 74 BPM | ||
| Holy Saturday B Stasis (At Lauds) | Various Artists | D Major | 3 | 10B | 83 BPM | ||
| Ti Ypermaxo Stratigo (Τη Υπερμάχω Στρατηγώ)[Εις Την Εορτήν Του Ευαγγελισμού] | Fr. Eirinaios Nakos (Αρχιμ. Ειρηναίος Νάκος) & George Demelis (Γιώργος Δεμελής) | F Major | 0 | 7B | 126 BPM | ||
| Ina Al Baraa Biassriha | Choir of Beirut | G Major | 1 | 9B | 142 BPM | ||
| Εγκώμια, Στάσις Α΄: Η Ζωή Εν Τάφω | Ρωμαίϊκο Σύνολο | D Major | 3 | 10B | 139 BPM | ||
| Megalynaria Agiou Nektariou, Ixos Plagios Tou D΄ Kata Trifwnian | Petros Gaitanos | A Major | 3 | 11B | 64 BPM | ||
| 2nd Antiphon and “Only-Begotten Son” 2nd Mode | Dynamis Byzantine Ensemble | B Minor | 2 | 10A | 135 BPM | ||
| Άξιον εστίν | Χορός Αγιορειτών Πατέρων | B♭ Major | 3 | 6B | 106 BPM | ||
| Πλούσιοι επτώχευσαν, ηχ. Δ΄ χρωματικός | Βυζαντινός Χορός των Τρικάλων | D Minor | 2 | 7A | 73 BPM | ||
| Trisagion Hymn (Byzantine Tone 1) | Antiochian Youth Music Ministry, Teen SOYO | B♭ Major | 2 | 6B | 66 BPM | ||
| Prosomoion for the Feast of the Nativity of God's Mother | Timothy Diwema | D♭ Major | 2 | 3B | 176 BPM | ||
| Makarismoi Megalis Paraskevis (tone 4.) | Christos Kolovos, Constantinos Kolovos | F♯ Major | 1 | 2B | 112 BPM | ||
| Kathisma for Antiphon XII (Mode Pl. IV) | Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir | F♯ Major | 4 | 2B | 88 BPM | ||
| Η Α΄ Ωδή Του Κανόνος Της Αναστάσεως | Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία | F♯ Major | 2 | 2B | 78 BPM | ||
| Fos Ilaron (Light Of Merry) | Nikos Amorgianos, Byzantine Renaissance | C Major | 3 | 8B | 154 BPM | ||
| Ek niktos, Alilouia (Alilouiario tou orthrou tis Megalis Tesarakostis, tone 8.) | Christos Kolovos, Constantinos Kolovos | E♭ Major | 2 | 5B | 62 BPM | ||
| Στ΄ Ωδή | Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία | E Major | 4 | 12B | 67 BPM | ||
| Stichera Prosomoia at the Praises (Plagal Fourth Mode) | TROPOS Byzantine Choir, Constantinos Ath. Angelidis | G Major | 2 | 9B | 69 BPM | ||
| Toma, cel ce se numea ..., gl. I (stihiră idiomelă) | TRONOS - corul de psalți al Patriarhiei Române | E♭ Minor | 2 | 2A | 129 BPM | ||
| Κύριε Αναβαίνοντός Σου Εν Τω Σταυρώ | Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία | F♯ Major | 3 | 2B | 108 BPM | ||
| أَيَّتُها السَّيِّدة الكُلِّيُّ قُدسُها | The Choir of Eparchy of Tripoli | D Major | 2 | 10B | 67 BPM | ||
| The First and Ninth Ode from the Supplicatory Canon of the Theotokos Portaïtissa | TROPOS Byzantine Choir, Constantinos Ath. Angelidis | D Major | 3 | 10B | 130 BPM | ||
| The Great Litany | Minsk Saint Peter and Paul Cathedral Choir | F Major | 2 | 7B | 75 BPM | ||
| Σφαγήν Σου Την Άδικον Χριστέ | Monadiki Politeia | D Major | 1 | 10B | 89 BPM | ||
| God Is the Lord (Theos Kyrios) | Byzantine Ark | B♭ Major | 1 | 6B | 173 BPM |
Ποιοίς οι ευτελείς is a neutral, low-energy track by Χορός Αγιορειτών Πατέρων from Ακολουθίες: 'Ορθρος, released April 5, 2004. It runs 2:44 at 83 BPM (166 BPM double-time) in B Major (Camelot 1B).
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