"String Quartet No. 5 in C Major, Op. 29, "Serenade": I. Allegro molto con spirito" by Wilhelm Stenhammar, Stenhammar Quartet had its release date on October 29, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Stenhammar: String Quartets Nos. 5 & 6". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Sweden. Based on our statistics, String Quartet No. 5 in C Major, Op. 29, "Serenade": I. Allegro molto con spirito's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 5 in C Major, Op. 29, "Serenade": I. Allegro molto con spirito by Wilhelm Stenhammar, Stenhammar Quartet having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
The music key of this track is G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata in G Minor: II. Romanza: Andante quasi adagio | Wilhelm Stenhammar, Niklas Sivelov | B♭ Major | 0 | 6B | 74 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
Fauré: Requiem, Op. 48: V. Agnus Dei | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | F Major | 0 | 7B | 77 BPM | ||
Requiem, Op.48: 4. Pie Jesu | Gabriel Fauré, Kathleen Battle, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | E♭ Major | 0 | 5B | 89 BPM | ||
Visor och stämningar, Op. 26: II. Nattyxne (Butterfly Orchid) | Wilhelm Stenhammar, Peter Mattei, Bengt-Åke Lundin | G Minor | 2 | 6A | 107 BPM | ||
Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 59 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Messa di Gloria, Op.posth.: Kyrie: Kyrie eleison, Christe eleison | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Major | 1 | 8B | 65 BPM | ||
Pelléas et Mélisande Suite, Op. 80: I. Prélude | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM |