"Debussy: Suite bergamasque, CD 82, L. 75: III. Clair de lune" by Claude Debussy, Walter Gieseking was released on 1953. With this song being about 5 minutes long, at 5:15, "Debussy: Suite bergamasque, CD 82, L. 75: III. Clair de lune" by Claude Debussy, Walter Gieseking is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 65 out of 74 in Debussy: Piano Works by Claude Debussy, Walter Gieseking. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Debussy: Suite bergamasque, CD 82, L. 75: III. Clair de lune's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Debussy: Suite bergamasque, CD 82, L. 75: III. Clair de lune by Claude Debussy, Walter Gieseking is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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4 Impromptus, Op.90, D.899: No.3 in G Flat Major: Andante | Franz Schubert, Radu Lupu | F♯ Major | 0 | 2B | 173 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Nocturne No. 2 in C Minor, H.25 | John Field, Elizabeth Joy Roe | C Minor | 1 | 5A | 80 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Berceuse in D Flat Major, Op. 57 | Frédéric Chopin, Nelson Freire | B♭ Major | 1 | 6B | 85 BPM | ||
11 Pezzi infantili, Op. 35: VI. Siciliana | Alfredo Casella, Luca Ballerini | A Minor | 0 | 8A | 107 BPM | ||
Satie: 6 Gnossiennes: No. 2, Avec étonnement | Erik Satie, Anne Queffélec | D Minor | 0 | 7A | 73 BPM | ||
Lyric Pieces Book V, Op. 54: No. 4 Notturno | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 72 BPM | ||
Lieder ohne Worte, Op.30: No. 6. Allegretto In F Sharp Minor, MWV U 110 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | F♯ Minor | 0 | 11A | 169 BPM |
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