"In The White Silence: Beginning" by John Luther Adams, Oberlin Contemporary Music Ensemble, Tim Weiss was released on January 1, 2003. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Luther Adams, Oberlin Contemporary Music Ensemble, Tim Weiss's "John Luther Adams: In the White Silence" album is number 1 out of 19. In The White Silence: Beginning is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In The White Silence: Beginning by John Luther Adams, Oberlin Contemporary Music Ensemble, Tim Weiss to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
For Bunita Marcus: Beginning-M. 289 | Morton Feldman, Aki Takahashi | D Major | 0 | 10B | 67 BPM | ||
Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: III | Morton Feldman, Ensemble Recherche | D Major | 0 | 10B | 136 BPM | ||
...quasi una fantasia..., Op. 27/1: Introduzione | György Kurtág, Tamara Stefanovich, Asko Schönberg, Reinbert de Leeuw | D♭ Major | 0 | 3B | 0 BPM | ||
Tre Laude Dolce: I | Gavin Bryars, Matthew Barley | C Major | 0 | 8B | 171 BPM | ||
Child: II. Sweet Air | David Lang, Sentieri Selvaggi, Carlo Boccadoro | G Minor | 2 | 6A | 144 BPM | ||
Increase | David Lang, Alarm Will Sound, Alan Pierson | D♭ Major | 4 | 3B | 120 BPM | ||
Piano & Violoncello 7 | Irena And Vojtech Havlovi | C Major | 1 | 8B | 79 BPM | ||
Popcorn Superhet Receiver / Part 2a | Kitchener Waterloo Symphony, Jonny Greenwood | F Major | 4 | 7B | 82 BPM | ||
Lämpöä kohti | Aki Yli-Salomäki | C Major | 2 | 8B | 136 BPM | ||
Alien Warp Etude | Isaac Schankler, Aron Kallay | A Minor | 0 | 8A | 172 BPM |
Section: 0.6527101993560791
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