Domenico Scarlatti, Narciso Yepes made "Sonata in G Major, K. 146 - Arr. for Guitar by Narciso Yepes" available on January 1, 1988. The duration of Sonata in G Major, K. 146 - Arr. for Guitar by Narciso Yepes is about 3 minutes long, at 3:15. Based on our data, "Sonata in G Major, K. 146 - Arr. for Guitar by Narciso Yepes" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Scarlatti: Sonatas (Transcription: Narciso Yepes)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, Sonata in G Major, K. 146 - Arr. for Guitar by Narciso Yepes's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Sonata in G Major, K. 146 - Arr. for Guitar by Narciso Yepes by Domenico Scarlatti, Narciso Yepes having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Lieder ohne Worte, Op.19: No. 1 In E Major, MWV U 86 - "Sweet Remembrance" | Felix Mendelssohn, Daniel Barenboim | B Major | 0 | 1B | 89 BPM | ||
24 Préludes, Op. 28: No. 4 in E Minor | Frédéric Chopin, Martha Argerich | A Minor | 0 | 8A | 51 BPM | ||
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
Symphony No.4 in D Minor, Op.12 No.4, G.506: 2. Andantino con moto I | Luigi Boccherini, Per Egland, Christian Lindberg, MIN Ensemble | C Minor | 1 | 5A | 97 BPM | ||
Intermezzo, Op. 119/1 | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D Major | 0 | 10B | 65 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM |
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