"Auf, zur Großmutter" by Radoslaw Pallarz, Emily Korner, Ayano Yamazoe, Hendrik Then-Bergh, Larissa Manz was released on September 29, 2017. The duration of Auf, zur Großmutter is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Auf, zur Großmutter's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Rotkäppchen". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. The popularity of Auf, zur Großmutter is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Auf, zur Großmutter by Radoslaw Pallarz, Emily Korner, Ayano Yamazoe, Hendrik Then-Bergh, Larissa Manz having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Reverie | michail kovalenko | C Minor | 1 | 5A | 105 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIV. Tarantella (Allegro moderato) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Oriental | Pattapio Silva, Guilherme Andreas, Gianne Ge Zhu | D Minor | 2 | 7A | 74 BPM | ||
A Child of our Time, Part III: Preludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Loquentes Vobismet Ipsis (Live) | Radoslaw Pallarz, Simone Riniker Maier, Emily Korner, Jakob Lustig, Claus Kühner, Blanca Coines Escriche, Aleksandra Lustig | C Minor | 1 | 5A | 96 BPM | ||
Dicentes Magna Artemis Ephesiorum (Live) | Radoslaw Pallarz, Simone Riniker Maier, Emily Korner, Jakob Lustig, Claus Kühner, Blanca Coines Escriche, Aleksandra Lustig | C Minor | 1 | 5A | 90 BPM | ||
アンダンテ (ピアノ・ソナタ K.381より) | W.A. モーツァルト, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) | G Major | 1 | 9B | 123 BPM | ||
Meem Empire Theme 10, Vol. 1 | Khaled Hammad | G Minor | 2 | 6A | 90 BPM | ||
Todo Início Carrega um Pouco do Fim | Anabel Santana, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
Nun | Radoslaw Pallarz, Jasmin Bachmann, Christina Singer, Anne Angerer, Gesa Jenne, Hendrik Then-Bergh, Frederik Stock | A Minor | 4 | 8A | 125 BPM |
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