Jan Dismas Zelenka, Joanne Lunn, Johannes Kaleschke, Daniel Taylor, Thomas E. Bauer, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius's 'Missa Votiva, ZWV 18: Et resurrexit' came out on April 1, 2010. Since Missa Votiva, ZWV 18: Et resurrexit is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jan Dismas Zelenka, Joanne Lunn, Johannes Kaleschke, Daniel Taylor, Thomas E. Bauer, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius's "Jan Dismas Zelenka: Missa Votiva" album is number 15 out of 20. Based on our statistics, Missa Votiva, ZWV 18: Et resurrexit's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Votiva, ZWV 18: Et resurrexit by Jan Dismas Zelenka, Joanne Lunn, Johannes Kaleschke, Daniel Taylor, Thomas E. Bauer, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Confitebor tibi Domine, ZWV 70: II. Redemptionem misit | Jan Dismas Zelenka, Prague Baroque Soloists, Adam Viktora, Marian Krejcik, Ensemble Inégal | E Major | 6 | 12B | 107 BPM | ||
Hasse: Demofoonte, Sinfonia: III. Presto | Johann Adolf Hasse, Julien Chauvin, Le Concert de la Loge | D♭ Major | 3 | 3B | 159 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
6 Sonatas, ZWV 181, No. 4 in G Minor: I. Andante | Jan Dismas Zelenka, Paul Dombrecht, Ku Ebbinge, Danny Bond, Richte Van Der Meer, Robert Kohnen | D♭ Major | 1 | 3B | 108 BPM | ||
Missa Divi Xaverii, ZWV 12: Gloria in excelsis Deo | Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | F Minor | 1 | 4A | 125 BPM | ||
Charpentier : Concert pour 4 parties de violes H545 : I Prelude | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | B Major | 2 | 1B | 171 BPM | ||
Das Sühnopfer des neuen Bundes, Pt. 1: No. 1, Wo find' ich ihn, der meiner Augen Licht | Carl Loewe, Monika Mauch, Ulrike Malotta, Georg Poplutz, Andreas Burkhart, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper | E Major | 0 | 12B | 73 BPM | ||
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Hail! bright Cecilia!: Hail! bright Cecilia!: II. Hail! Bright Cecilia | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Susan Hamilton, Siri Thornhill, Robin Blaze, Martin van der Zeijst, Mark Padmore, Jonathan Arnold, Jonathan Brown, Peter Harvey | D♭ Major | 1 | 3B | 73 BPM | ||
Magnificat: Sicut Erat in Principio | Nicola Porpora, San Francisco Girls Chorus | A♭ Minor | 1 | 1A | 0 BPM |
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