Joseph Haydn, Kurt Moll, Berliner Philharmoniker, James Levine's 'Die Schöpfung Hob. XXI:2 / Erster Teil: 6. Arie: Rollend in schäumenden Wellen' came out on January 1, 1991. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, James Levine's "Haydn: The Creation H.21" album is number 6 out of 34. Die Schöpfung Hob. XXI:2 / Erster Teil: 6. Arie: Rollend in schäumenden Wellen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Schöpfung Hob. XXI:2 / Erster Teil: 6. Arie: Rollend in schäumenden Wellen by Joseph Haydn, Kurt Moll, Berliner Philharmoniker, James Levine to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.5 In C Minor, Op.67: 2. Andante con moto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 81 BPM | ||
Divertimento for 2 Flutes and Cello (Bassoon) in C Major, Hob. IV:1 "London Trio No. 1": I. Allegro moderato | Unknown, Franz Joseph Haydn, Jean-Pierre Rampal, Wolfgang Schultz, Gilbert Audin | C Major | 1 | 8B | 139 BPM | ||
Te Deum, WAB 45: I. Te Deum laudamus | Anton Bruckner, Anna Tomowa-Sintow, Agnes Baltsa, Peter Schreier, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein, Rudolf Scholz | B♭ Minor | 1 | 3A | 85 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": IX. Andante sostenuto assai. "Drum sing' ich mit meinem Liede ewig dein Lob" | Felix Mendelssohn, Werner Güra, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | B♭ Major | 0 | 6B | 94 BPM | ||
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 45 BPM | ||
La clemenza di Tito, K.621 / Act 2: "S'altro che lagrime" | Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | D Major | 1 | 10B | 130 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): All'idea di quel metallo (Conte/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | G Major | 3 | 9B | 128 BPM | ||
Das listige Bauernmädchen: No. 14, Tempo di marcia | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Der Winter: "Knurre, schnurre, knurre" | Joseph Haydn, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor, Marlis Petersen | C Major | 2 | 8B | 84 BPM | ||
Brahms: Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Berliner Philharmoniker, Sir Simon Rattle | C Major | 0 | 8B | 60 BPM |
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