"Schöne Fremde" by Fanny Mendelssohn, Kammerchor der Universität Dortmund, Willi Gundlach was released on January 1, 1996. The duration of Schöne Fremde is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Schöne Fremde's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 26 in Fanny Hensel-Mendelssohn: Chorlieder, Duette, Terzette by Fanny Mendelssohn, Kammerchor der Universität Dortmund, Willi Gundlach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Schöne Fremde is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Schöne Fremde by Fanny Mendelssohn, Kammerchor der Universität Dortmund, Willi Gundlach is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Evening Songs, B. 61: No. 8, You Little, Tiny Birds, Op. 31 (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | A♭ Major | 0 | 4B | 69 BPM | ||
Lyric Pieces, Op.71: VII. Efterklang - Tempo di valse | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 77 BPM | ||
Gartenlieder, Op. 3: No. 5. Seid gegrusst | Fanny Mendelssohn, Edina Leue, Gabriele Peters, Herlind Wartenberg, Jorg Hannes Kuhn, Florian Giertzuch, Cologne Leonarda Ensemble Choir, Elke Mascha Blankenburg | E Major | 1 | 12B | 81 BPM | ||
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM | ||
Romance in F Minor, Op. 11, B. 38 (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B♭ Minor | 0 | 3A | 209 BPM | ||
Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | E Major | 0 | 12B | 89 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM |
Section: 0.7139089107513428
End: 0.7187199592590332