Marin Marais, David Tricou, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet's ' "Ariane et Bacchus, Prologue: Air. Beautés, qui possédez de si charmants appas" was released on its scheduled release date, March 17, 2023. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Marin Marais, Le Concert Spirituel, Herve Niquet, Les Chantres du Centre de Musique Baroque de Versailles's "Marais: Ariane et Bacchus" album is number 8 out of 104. On top of that, France appears to be the country where this track was created. Ariane et Bacchus, Prologue: Air. Beautés, qui possédez de si charmants appas is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Ariane et Bacchus, Prologue: Air. Beautés, qui possédez de si charmants appas by Marin Marais, David Tricou, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
… che col partire | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 118 BPM | ||
Sonata Quinta in E Minor: III. Largo | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | B♭ Minor | 0 | 3A | 121 BPM | ||
Forqueray, A: Pèces de viole, Suite No. 5 en ut mineur: VII. Jupiter. Modérément | Antoine Forqueray, Jean Rondeau | G Major | 3 | 9B | 101 BPM | ||
Concert XLIV: Tombeau les regrets - Le tombeau des regrets | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | F♯ Minor | 0 | 11A | 70 BPM | ||
Idylle sur la paix: Air pour Madame la Dauphine | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 3 | 1A | 139 BPM | ||
The First Part of Ayres, French, Pollish and Others: No. 72. A Meditation | Tobias Hume, Philippe Pierlot | B Major | 0 | 1B | 143 BPM | ||
Sonata III (G Moll), BWV 1029: Adagio | Johann Sebastian Bach, Jordi Savall, Ton Koopman | D♭ Major | 4 | 3B | 107 BPM | ||
Pavana Con Su Glosa | Antonio de Cabezón, Hespèrion XXI, Jordi Savall | C Major | 1 | 8B | 117 BPM | ||
Alcione, Acte III Scène 5: "Que vois-je ? De ses sens elle a perdu l’usage" | Marin Marais, Jordi Savall, Lea Desandre, Marc Mauillon, Le Concert Des Nations | D Major | 1 | 10B | 168 BPM | ||
Ciaccona in A Major | Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher | A♭ Major | 1 | 4B | 135 BPM |