Kurt Atterberg, Staatsorchester Braunschweig, Jonas Alber, Oleksandr Pushniak, Chor des Staatstheaters Braunschweig's 'Aladin: IV. Gaukler, lass die Schlange tanzen' came out on May 27, 2023. With Aladin: IV. Gaukler, lass die Schlange tanzen being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Kurt Atterberg, Staatsorchester Braunschweig, Jonas Alber's "Kurt Atterberg: Aladin" album is number 4 out of 43. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Aladin: IV. Gaukler, lass die Schlange tanzen is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Aladin: IV. Gaukler, lass die Schlange tanzen by Kurt Atterberg, Staatsorchester Braunschweig, Jonas Alber, Oleksandr Pushniak, Chor des Staatstheaters Braunschweig to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravel: Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A Minor | 0 | 8A | 65 BPM | ||
Ravel: Alborada del Gracioso, M. 43 No. 4 | Maurice Ravel, Riccardo Muti, Philadelphia Orchestra | D Major | 1 | 10B | 123 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | ||
Sonatina for Violin & Piano, Op. 6: II. Sempre senza vibrato | Heinz Roemheld, Patrick Savage, Martin Cousin | D♭ Major | 1 | 3B | 92 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Les biches Suite, FP 36b: III. Rag-Mazurka | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
Brahms: Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation I | Johannes Brahms, Wolfgang Sawallisch, London Philharmonic Orchestra | E Minor | 1 | 9A | 73 BPM | ||
Serenade for Strings in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !" | Gustav Mahler, Sir Simon Rattle, Kate Royal, Magdalena Kozená, Rundfunkchor Berlin, Berliner Philharmoniker | E♭ Major | 4 | 5B | 80 BPM | ||
Horn Concerto in A Major, Op. 28: II. Adagio | Kurt Atterberg, Johannes-Theodor Wiemes, NDR Radiophilharmonie, Ari Rasilainen | F Major | 2 | 7B | 137 BPM |
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