"Cavalleria rusticana: "Inneggiamo, il Signor non è morto" (Preghiera)" by Pietro Mascagni, Kiri Te Kanawa, Mormon Tabernacle Choir, Utah Symphony Orchestra, Julius Rudel was released on April 2, 2021. With this song being about 5 minutes long, at 5:20, "Cavalleria rusticana: "Inneggiamo, il Signor non è morto" (Preghiera)" by Pietro Mascagni, Kiri Te Kanawa, Mormon Tabernacle Choir, Utah Symphony Orchestra, Julius Rudel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 48 out of 57 in Easter Classical by Johann Sebastian Bach, Wolfgang Amadeus Mozart, George Frideric Handel. Based on our statistics, Cavalleria rusticana: "Inneggiamo, il Signor non è morto" (Preghiera)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cavalleria rusticana: "Inneggiamo, il Signor non è morto" (Preghiera) by Pietro Mascagni, Kiri Te Kanawa, Mormon Tabernacle Choir, Utah Symphony Orchestra, Julius Rudel is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rosa Mundi | Paul Lewis, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 141 BPM | ||
Vaughan Williams & Greaves: Fantasia on Greensleeves | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | C Minor | 0 | 5A | 74 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
Finale 3° Atto | Pietro Mascagni | E Major | 7 | 12B | 76 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto" - Arr. Iva Davies, Christopher Gordon & Richard Tognetti: Adagio | Christopher Gordon | E♭ Major | 1 | 5B | 129 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM |
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