"Herr Gott, dich loben alle wir, Cantata BWV 130: I. "Herr Gott, dich loben alle wir"" by Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor was released on August 6, 2022. The duration of Herr Gott, dich loben alle wir, Cantata BWV 130: I. "Herr Gott, dich loben alle wir" is about 3 minutes long, at 3:01. Based on our data, "Herr Gott, dich loben alle wir, Cantata BWV 130: I. "Herr Gott, dich loben alle wir"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 224 in the song's album "Summer Feelings with Bach". In this album, this song's track order is #98. Furthermore, we believe that the track originated from Germany. The popularity of Herr Gott, dich loben alle wir, Cantata BWV 130: I. "Herr Gott, dich loben alle wir" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Herr Gott, dich loben alle wir, Cantata BWV 130: I. "Herr Gott, dich loben alle wir" by Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäuspassion, BWV 244: Kommt, ihr Tochter, helft mir klagen (Chorus I and II) | Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl | E Minor | 1 | 9A | 87 BPM | ||
Handel: Concerto grosso in F Major, Op. 3 No. 4, HWV 315: II. Andante | George Frideric Handel, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 125 BPM | ||
Concerto for 2 Harpsichords in C Minor, BWV 1060: II. Adagio | Johann Sebastian Bach, Christiane Jaccottet, Christine Sartoretti, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | C Minor | 3 | 5A | 175 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Cançoneta for Violin and Orchestra | Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 0 | 11B | 70 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: V. Menuets I & II | Johann Sebastian Bach, Yo-Yo Ma | G Major | 1 | 9B | 135 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM |
Section: 0.7145287990570068
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