"Also sprach Zarathustra, Op. 30, TrV 176: I. Also sprach Zarathustra. Sonnenaufgang" by Richard Strauss, François-Xavier Roth, London Symphony Orchestra was released on March 24, 2023. With Also sprach Zarathustra, Op. 30, TrV 176: I. Also sprach Zarathustra. Sonnenaufgang being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Strauss: Also sprach Zarathustra - Debussy: Jeux". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Also sprach Zarathustra, Op. 30, TrV 176: I. Also sprach Zarathustra. Sonnenaufgang is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op. 30, TrV 176: I. Also sprach Zarathustra. Sonnenaufgang by Richard Strauss, François-Xavier Roth, London Symphony Orchestra having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, Gianandrea Noseda, London Symphony Orchestra | D Major | 1 | 10B | 81 BPM | ||
Beethoven: Symphony No. 5 in C Minor, Op. 67: III. Allegro - | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | F Major | 3 | 7B | 88 BPM | ||
La Belle et la Bête - Arr. for Piano duet: VI. La confiance de la Bête | Philip Glass, Katia Labèque, Marielle Labèque | F Major | 0 | 7B | 107 BPM | ||
Elektra: Xii. Was sagen sie ihr denn? | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | B Major | 3 | 1B | 136 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 3. Allegro scherzando | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 135 BPM | ||
Theme from Inspector Morse | Barrington Pheloung, London Metropolitan Orchestra | F Minor | 5 | 4A | 180 BPM | ||
String Quartet No. 2 in A Minor: II. Andante cantabile (Arr. Colbert for String Ensemble) | Florence Beatrice Price, Sphinx Virtuosi | E Minor | 2 | 9A | 116 BPM | ||
Palladio: 1. Allegretto (arr. for Strings Orchestra) | Karl Jenkins, Carmine Lauri, David Alberman, London Symphony Orchestra | D Minor | 3 | 7A | 90 BPM | ||
Sorcerer's Apprentice | Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 123 BPM | ||
Introduction et rondo capriccioso in A minor, Op. 28 | Camille Saint-Saëns, Joshua Bell, Tsung Yeh, Singapore Chinese Orchestra | A Minor | 3 | 8A | 139 BPM |
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