On 1964, the song "Lute Suite in E Minor, BWV 996 (Arr. J. Williams for Guitar): I. Passaggio - Presto" was released by Johann Sebastian Bach, John Williams. The duration of Lute Suite in E Minor, BWV 996 (Arr. J. Williams for Guitar): I. Passaggio - Presto is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Lute Suite in E Minor, BWV 996 (Arr. J. Williams for Guitar): I. Passaggio - Presto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, John Williams's "John Williams Plays Bach" album is number 1 out of 57. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Lute Suite in E Minor, BWV 996 (Arr. J. Williams for Guitar): I. Passaggio - Presto is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Lute Suite in E Minor, BWV 996 (Arr. J. Williams for Guitar): I. Passaggio - Presto by Johann Sebastian Bach, John Williams to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guitar Sonata No. 30 in A Major: Minuet - Allegro | Niccolò Paganini, Marco Tamayo | C Major | 1 | 8B | 140 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Zambra Granadina | Isaac Albéniz, David Russell | D Major | 1 | 10B | 68 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): III. Sevilla (Sevillanas) | Jason Vieaux, Isaac Albéniz | G Major | 2 | 9B | 111 BPM | ||
Musical Offering, BWV 1079: Canon 3. a 2 per Motum contrarium | Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana | C Minor | 2 | 5A | 172 BPM | ||
Sor : Study No.6 | Fernando Sor, John Fulford Music | E♭ Minor | 2 | 2A | 70 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: III. Allegro | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 92 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 5 in A Minor | Niccolò Paganini, Marco Tamayo | E Minor | 2 | 9A | 69 BPM | ||
Carcassi Op.60 N.19 Allegro Moderato | Matteo Carcassi, Lucio Matarazzo | G Major | 2 | 9B | 95 BPM |
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