"Hodie Christus natus est (Ant. al Magnificat in Nativitate Domini)" by Schola gregoriana mediolanensis, Giuseppe Gaffurini was released on January 1, 1991. The duration of Hodie Christus natus est (Ant. al Magnificat in Nativitate Domini) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Hodie Christus natus est (Ant. al Magnificat in Nativitate Domini)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Coro dei monaci dell'Abbazia di Chiaravalle milanese, Schola gregoriana mediolanensis, Giuseppe Gaffurini's "L'antico splendore del canto gregoriano" album is number 11 out of 28. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Hodie Christus natus est (Ant. al Magnificat in Nativitate Domini) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hodie Christus natus est (Ant. al Magnificat in Nativitate Domini) by Schola gregoriana mediolanensis, Giuseppe Gaffurini to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Noveritis ambrosiano | Coro Nova Schola Gregoriana, Alberto Turco | F Major | 2 | 7B | 101 BPM | ||
Filiae Jerusalem | Officium Ensemble, Unknown Artist, Wilfried Rombach | C Major | 2 | 8B | 105 BPM | ||
Kyrie XIV | Abbaye Saint-Joseph de Flavigny | A Minor | 2 | 8A | 112 BPM | ||
Felicidad del Cielo | Monjes Del Monasterio De San Pedro | G Major | 2 | 9B | 172 BPM | ||
Nativity of the Mother of God, Ode 6: Irmos | Choir of the Monks of Chevetogne | A♭ Major | 1 | 4B | 50 BPM | ||
Lauda Sion Salvatorem Sequentia (Fronleichnam) | Choir Of St. Abuscus | E♭ Major | 1 | 5B | 72 BPM | ||
Livre de Job : Répons. Paucitas diérum meorum | Choeur grégorien de Paris | C Major | 1 | 8B | 74 BPM | ||
Beati Mundo Corde | Schola gregoriana mediolanensis | A♭ Minor | 2 | 1A | 85 BPM | ||
Ave maris Stella | Harpa Dei | B Minor | 0 | 10A | 139 BPM | ||
Del Común de una Vírgen, Antífona: Revertere Sunamitis | Pro Musica Gregoriana, Néstor Cortez | E Major | 1 | 12B | 128 BPM |
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