Franz Liszt, Nikita Magaloff's '6 Etudes d'exécution transcendante d'après Paganini, S.140: 6. Thème et variations' came out on October 7, 2022. With this song being about 5 minutes long, at 5:08, "6 Etudes d'exécution transcendante d'après Paganini, S.140: 6. Thème et variations" by Franz Liszt, Nikita Magaloff is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 60 out of 140 in Franz Liszt - A Monument of Classics by Franz Liszt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. 6 Etudes d'exécution transcendante d'après Paganini, S.140: 6. Thème et variations is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Etudes d'exécution transcendante d'après Paganini, S.140: 6. Thème et variations by Franz Liszt, Nikita Magaloff is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | ||
Miroirs: III. Une barque sur l'océan | Maurice Ravel, André Laplante | D Major | 0 | 10B | 76 BPM | ||
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: VII. Aquarium | Camille Saint-Saëns, Gennady Rozhdestvensky, Alain Meunier, Amy Flammer, Didier Benetti, Jean Dupouy, Jeanne-Marie Conquier, Philippe Pierlot, Viktoria Postnikova | A Minor | 1 | 8A | 134 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM |
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