On 1957, the song "Partita No. 3 in A Minor, BWV 827: VII. Gigue" was released by Johann Sebastian Bach, Glenn Gould. With Partita No. 3 in A Minor, BWV 827: VII. Gigue being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: 6 Partitas BWV 825-830; Chromatic Fantasy BWV 903; Italian Concerto BWV 971; The Art of the Fugue BWV 1080 (excerpts); Preludes, Fugues & Fantasies" album is number 19 out of 90. In terms of popularity, Partita No. 3 in A Minor, BWV 827: VII. Gigue is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Partita No. 3 in A Minor, BWV 827: VII. Gigue by Johann Sebastian Bach, Glenn Gould to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg Variations - Version for 2 Pianos by Rheinberger/Reger: 19. Allegretto | Tal & Groethuysen | G Major | 1 | 9B | 154 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Three-Part Inventions (Sinfonias), BWV 787-801: Sinfonia No. 7 in E Minor, BWV 793 | Glenn Gould | B Minor | 2 | 10A | 93 BPM | ||
Piano Sonata No. 5 in C Minor, Op. 10 No. 1: I. Allegro molto e con brio | Ludwig van Beethoven, Glenn Gould | E Major | 0 | 12B | 112 BPM | ||
10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo) | Sergei Rachmaninoff, Vladimir Ashkenazy | E Major | 0 | 12B | 89 BPM | ||
Three-Part Inventions (Sinfonias), BWV 787-801: Sinfonia No. 3 in D Major, BWV 789 | Glenn Gould | G Major | 4 | 9B | 107 BPM | ||
Suite en La: La Triomphante | Jean-Philippe Rameau, Alexandre Tharaud | E Major | 2 | 12B | 116 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: 2. Andante | Johann Sebastian Bach, Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | C Major | 0 | 8B | 108 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Italian Ground: Allemande | Orlando Gibbons, Glenn Gould | C Major | 4 | 8B | 105 BPM |
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