"Mendelssohn: String Quartet No. 6 in F Minor, Op. 80: I. Allegro vivace assai" by Felix Mendelssohn, Artemis Quartet was released on April 7, 2014. Since Mendelssohn: String Quartet No. 6 in F Minor, Op. 80: I. Allegro vivace assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, Artemis Quartet's "Mendelssohn: String Quartets" album is number 5 out of 12. In terms of popularity, Mendelssohn: String Quartet No. 6 in F Minor, Op. 80: I. Allegro vivace assai is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mendelssohn: String Quartet No. 6 in F Minor, Op. 80: I. Allegro vivace assai by Felix Mendelssohn, Artemis Quartet to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Années de pèlerinage I, S. 160: III. Pastorale | Franz Liszt, Lazar Berman | F Minor | 4 | 4A | 107 BPM | ||
Piano Quintet in F Minor, Op. 34: IV. Finale (poco sostenuto - Allegro non troppo) | Johannes Brahms, Maurizio Pollini, Quartetto Italiano | F Minor | 1 | 4A | 103 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Cypresses B.152: 2. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Minor | 1 | 4A | 89 BPM | ||
Wieniawski : Polonaise No.1 in D major Op.4 | Henryk Wieniawski, Maxim Vengerov | D Major | 2 | 10B | 95 BPM | ||
String Quartet No. 1 in E minor "From my Life": 3. Largo sostenuto | Bedřich Smetana, Takács Quartet | A♭ Major | 0 | 4B | 174 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | ||
Piano Quintet in A Minor, Op. 14: III. Presto | Camille Saint-Saëns, Fine Arts Quartet, Cristina Ortiz | A Major | 1 | 11B | 77 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 3. Allegro, ben marcato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 64 BPM |
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