"100 Folk-tunes from Hardanger, Op. 151: Suite No. 1: No. 1: Velkomne med aera (Welcome with Honour)" by Geirr Tveitt, Royal Scottish National Orchestra, Bjarte Engeset was released on September 5, 2001. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 30 in the song's album "Tveitt: 100 Hardanger Tunes - Suites Nos. 1 and 4". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. 100 Folk-tunes from Hardanger, Op. 151: Suite No. 1: No. 1: Velkomne med aera (Welcome with Honour) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 100 Folk-tunes from Hardanger, Op. 151: Suite No. 1: No. 1: Velkomne med aera (Welcome with Honour) by Geirr Tveitt, Royal Scottish National Orchestra, Bjarte Engeset having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shchedrin: Carmen Suite: I. Introduction (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
Petite messe solennelle: Kyrie I | Gioachino Rossini, The New Chamber Singers, Andrea Cappelleri, Filippo Farinelli, Sabine Belei, Ricardo Bonci | D Minor | 3 | 7A | 101 BPM | ||
Suite from "The Victorian Kitchen Garden": III. Mists. Lento melancolico | Paul Reade, Michael Collins, Michael McHale | D Major | 0 | 10B | 77 BPM | ||
Presto Paradigm | Selena Veles | E Minor | 0 | 9A | 114 BPM | ||
Paint My Wall | Mikko Finneman | A♭ Minor | 3 | 1A | 86 BPM | ||
Las tres culturas: 3. Los pasos de Jehova | Juan Pablo Fernández Ramos | D Minor | 0 | 7A | 144 BPM | ||
Bellmansmelodier for Orkester: IV. Fjaril vingad syns pa Haga | August Söderman, Symphony Orchestra Of Norrlands Opera, Roy Goodman | A♭ Major | 0 | 4B | 0 BPM | ||
The Autumn Leaves | Winfred Jeremiah | D Minor | 1 | 7A | 90 BPM | ||
Confessions: Dog and Frog | Orchestra of the Swan, David Gordon, Mark Ashford, Diane Clark | A Minor | 0 | 8A | 62 BPM | ||
Shchedrin: Carmen Suite: XI. Adagio (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM |
Section: 0.7301778793334961
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