"All the Sad Young Men" by Millie Vernon, David Zalud, Chris Rogers, Greg Ruvolo, Jack Schatz, Dan Levine, Roger Rosenberg, Lawrence Feldman, Richard Centalonza, Bob Melach, Don Friedman, David Moore, Gene Randolph was released on 2007. With this song being about 5 minutes long, at 5:07, "All the Sad Young Men" by Millie Vernon, David Zalud, Chris Rogers, Greg Ruvolo, Jack Schatz, Dan Levine, Roger Rosenberg, Lawrence Feldman, Richard Centalonza, Bob Melach, Don Friedman, David Moore, Gene Randolph is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Sings Old and New Shoes - From a Quartet to a Big Band". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, All the Sad Young Men's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All the Sad Young Men by Millie Vernon, David Zalud, Chris Rogers, Greg Ruvolo, Jack Schatz, Dan Levine, Roger Rosenberg, Lawrence Feldman, Richard Centalonza, Bob Melach, Don Friedman, David Moore, Gene Randolph having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beautiful Moons Ago | Gabrielle Stravelli | C Minor | 0 | 5A | 49 BPM | ||
Nie wiem jak to nazwać | Jan Ptaszyn Wróblewski | D Minor | 2 | 7A | 76 BPM | ||
Dance In June | Tracy Lytton | E♭ Minor | 4 | 2A | 112 BPM | ||
It'S Bad For Me | Rosemary Clooney & Benny Goodman | A♭ Major | 4 | 4B | 146 BPM | ||
You Call It Madness (But I Call It Love) | Nat King Cole Trio | F Minor | 0 | 4A | 138 BPM | ||
I want you all to myself | Vera Lynn | B Major | 0 | 1B | 87 BPM | ||
Big-Wig in the Wigwam | Erskine Hawkins & His Orchestra, Ida James | D Minor | 1 | 7A | 97 BPM | ||
Lovers in Glass Houses | Claude Thornhill | A♭ Major | 1 | 4B | 94 BPM | ||
Don't Like Cryin' | Suzanna Ross | D Major | 3 | 10B | 134 BPM | ||
String Of Pearls | Glenn Miller | A♭ Major | 5 | 4B | 72 BPM |
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