"Sonata VI in C Minor, C. 143: II. Passaglia" by Heinrich Ignaz Franz von Biber, Ensemble Stravaganza, Domitille Gilon, Thomas Soltani had its release date on October 27, 2023. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 20 out of 24 in Biber, Schmelzer, Mealli, Böddecker by Ensemble Stravaganza, Domitille Gilon, Thomas Soltani. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Sonata VI in C Minor, C. 143: II. Passaglia's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata VI in C Minor, C. 143: II. Passaglia by Heinrich Ignaz Franz von Biber, Ensemble Stravaganza, Domitille Gilon, Thomas Soltani is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Atys, LWV 53, Prologue: Ouverture | Jean-Baptiste Lully, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 122 BPM | ||
Trio Sonata in A Minor, BuxWV 272 | Dietrich Buxtehude, Ensemble Masques, Sophie Gent, Mélissande Corriveau, Olivier Fortin | A Minor | 2 | 8A | 171 BPM | ||
Violin Sonata No. 1 in D Minor: II. Presto | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 2 | 12A | 118 BPM | ||
Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
Sonata No. 2 in G Minor, TWV 43:g1: I. Andante | Georg Philipp Telemann, La Rêveuse, Benjamin Perrot, Florence Bolton | A♭ Major | 0 | 4B | 111 BPM | ||
Suite in A Minor: V. La Piemontoise | Louis Couperin, Laurence Cummings | A♭ Minor | 3 | 1A | 71 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Clavos pedum, plagas duras" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Hanna Bayodi | C Minor | 2 | 5A | 90 BPM | ||
Charpentier : Concert pour 4 parties de violes H545 : I Prelude | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | B Major | 2 | 1B | 171 BPM | ||
Concerto grosso No. 2 in B-Flat Major, Op. 3, HWV 313: II. Largo | George Frideric Handel, Akademie für Alte Musik Berlin, Georg Kallweit | F♯ Minor | 1 | 11A | 130 BPM | ||
Viola da Gamba Suite in D Major: II. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 1 | 3B | 90 BPM |