"Theme, Variations, and Finale" by Laurie Altman, Ena Barton, Phyllis Lehrer, Vesselin Gelev, Zach Brock, Caleb Burhans, Elizabeth Thompson, Kenneth Ellison, Tom Buckelew, Andrew Rathbun, Flora Newberry, James Day, Randall Bauer, Tomasz Rzeczycki, Scott Lee, Patrice Michaels, Helen Richman, Michael Fennely, Elem Eley, Alexandra Sopp, Gilad Harel, Steven Beck, Jason Treuting, Jesse Mills, Douglas Perkins, Allistair MacRae, Ruth Ochs, Carl Christian Bettendorf was released on September 1, 2008. Theme, Variations, and Finale appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "On Course". In this album, this song's track order is #6. Based on our statistics, Theme, Variations, and Finale's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Theme, Variations, and Finale by Laurie Altman, Ena Barton, Phyllis Lehrer, Vesselin Gelev, Zach Brock, Caleb Burhans, Elizabeth Thompson, Kenneth Ellison, Tom Buckelew, Andrew Rathbun, Flora Newberry, James Day, Randall Bauer, Tomasz Rzeczycki, Scott Lee, Patrice Michaels, Helen Richman, Michael Fennely, Elem Eley, Alexandra Sopp, Gilad Harel, Steven Beck, Jason Treuting, Jesse Mills, Douglas Perkins, Allistair MacRae, Ruth Ochs, Carl Christian Bettendorf having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arioso Dolente | Ketil Bjørnstad | A Minor | 0 | 8A | 64 BPM | ||
Five Tango Sensations: Asleep - Dreaming | Astor Piazzolla, Bandoneón, Kronos Quartet | A Minor | 0 | 8A | 73 BPM | ||
Parolibre | Ryuichi Sakamoto | F Major | 1 | 7B | 82 BPM | ||
G Song (arr. Keisuke Nakagoshi for piano 4 hands) | Terry Riley, ZOFO Duet | G Minor | 1 | 6A | 93 BPM | ||
Tilliboyo ("Sunset") | Foday Musa Suso, Kronos Quartet | B♭ Minor | 0 | 3A | 183 BPM | ||
Ashes | Hilary Hahn, Hauschka | D♭ Minor | 1 | 12A | 128 BPM | ||
Eyes Shut - Nocturne in C Minor | Ólafur Arnalds, Alice Sara Ott | C Minor | 0 | 5A | 107 BPM | ||
Bifu | Somei Satoh, Hilary Hahn, Cory Smythe | E Minor | 0 | 9A | 174 BPM | ||
Look What I Found | Edgar Meyer, Chris Thile | D♭ Major | 1 | 3B | 144 BPM | ||
Eyes Light (Version for 13-String Guitar) | Laurie Altman, Anders Miolin | C Major | 0 | 8B | 111 BPM |
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