Cesare Siepi, Orchestra Sinfonica di Torino della Radio Italiana made "Son lo spirito che nega (Mefistofele)" available on July 30, 2006. The duration of Son lo spirito che nega (Mefistofele) is about 3 minutes long, at 3:07. Based on our data, "Son lo spirito che nega (Mefistofele)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Cesare Siepi's "Lebendige Vergangenheit - Cesare Siepi" album is number 10 out of 19. Son lo spirito che nega (Mefistofele) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Son lo spirito che nega (Mefistofele) by Cesare Siepi, Orchestra Sinfonica di Torino della Radio Italiana to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D Major | 3 | 10B | 108 BPM | ||
Lucia di Lammermoor / Act 3: "Ohimè! sorge il tremendo fantasma" | Gaetano Donizetti, Dame Joan Sutherland, Pier Francesco Poli, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
Lucia di Lammermoor - after Walter Scott - Act 3.: "Oh meschina!" | Gaetano Donizetti, Renato Cioni, Cesare Siepi, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir John Pritchard | D Major | 2 | 10B | 94 BPM | ||
Il Barbiere di Siviglia: Mi par d'esser con la testa - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | F♯ Major | 5 | 2B | 86 BPM | ||
Die tote Stadt, Op. 12: Mein Sehnen, mein Wähnen (Pierrot's Tanzlied) | Erich Wolfgang Korngold, Samuel Hasselhorn, Poznań Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 129 BPM | ||
Mignon / Act I: "Connais-tu le pays" | Ambroise Thomas, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | D♭ Major | 0 | 3B | 71 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, José Carreras, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 78 BPM | ||
You´d be so nice to come home to | Cesare Siepi | B♭ Major | 3 | 6B | 78 BPM | ||
Medley: Overture/Rome | Cesare Siepi | E Minor | 7 | 9A | 102 BPM | ||
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM |
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