Cesare Siepi, Orchestra Sinfonica di Torino della Radio Italiana made "Son lo spirito che nega (Mefistofele)" available on July 30, 2006. The duration of Son lo spirito che nega (Mefistofele) is about 3 minutes long, at 3:07. Based on our data, "Son lo spirito che nega (Mefistofele)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Cesare Siepi's "Lebendige Vergangenheit - Cesare Siepi" album is number 10 out of 19. Son lo spirito che nega (Mefistofele) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Son lo spirito che nega (Mefistofele) by Cesare Siepi, Orchestra Sinfonica di Torino della Radio Italiana to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Romanzen und Lieder, Op. 84: No. 4, Vergebliches Ständchen (Live) | Johannes Brahms, Cesare Siepi, Leo Taubmann | B Major | 3 | 1B | 85 BPM | ||
Le veau d´or (Faust) | Cesare Siepi, Metropolitan Opera Orchestra, Lawrence Davidson | F Minor | 4 | 4A | 124 BPM | ||
I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Der fliegende Holländer, WWV 63 / Act 2: "Mögst du, mein Kind, den fremden Mann willkommen heißen" | Richard Wagner, Martti Talvela, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 3 | 11B | 87 BPM | ||
Alceste (Sung in French), Act I: Act I: Air: Divinites du Styx (Alcestis) | Christoph Willibald Gluck, Jessye Norman, Bavarian Radio Symphony Orchestra, Serge Baudo | F Major | 2 | 7B | 73 BPM | ||
I Get A Kick Out Of You - From "Anything Goes" | Cesare Siepi, The Roland Shaw Orchestra | D♭ Major | 3 | 3B | 107 BPM | ||
Nonnes, qui reposez (Robert le Diable) | Cesare Siepi, Orchestra of the Accademia di Santa Celilia | F♯ Major | 3 | 2B | 69 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Margreta Elkins, Tullio Serafin, Philharmonia Orchestra | D♭ Major | 1 | 3B | 74 BPM | ||
Il barbiere di Siviglia / Act 1: E desso, o pur m'inganno | Gioachino Rossini, Ugo Benelli, Manuel Ausensi, Fernando Corena, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 2 | 8B | 80 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM |
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