Gertrud Huber made "Holly Encounters Anna / Meeting the Conspirators - From "The Third Man"" available on 2001. The duration of Holly Encounters Anna / Meeting the Conspirators - From "The Third Man" is about 3 minutes long, at 3:01. Based on our data, "Holly Encounters Anna / Meeting the Conspirators - From "The Third Man"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "The Third Man". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. The popularity of Holly Encounters Anna / Meeting the Conspirators - From "The Third Man" is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Holly Encounters Anna / Meeting the Conspirators - From "The Third Man" by Gertrud Huber having a BPM of 205 with a half-time of 102 BPM and a double-time of 410 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amarcord: Amarcord | Nino Rota, Pino Calvi, Studio Orchestra, StudioConductor | C Minor | 2 | 5A | 136 BPM | ||
Return To Florence | Richard Robbins, Richard Robbins And Orchestra, Orchestra | A♭ Major | 1 | 4B | 69 BPM | ||
I Will Wait for You from the Umbrellas of Cherbourg | Michel Legrand, The Flemish Radio Orchestra | D Minor | 1 | 7A | 90 BPM | ||
Going to Brideshead | Geoffrey Burgon | C Minor | 1 | 5A | 97 BPM | ||
Tana's Theme | The Universal International Orchestra | G Major | 1 | 9B | 81 BPM | ||
In a Persian Market | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | D Minor | 1 | 7A | 108 BPM | ||
Market Day | Bert Kaempfert | F Major | 5 | 7B | 185 BPM | ||
Forgotten Dreams | Leroy Anderson | D Major | 2 | 10B | 74 BPM | ||
Tico Tico | Zequinha Abreu, Ludmila Peterková, Irina Kondratenko | C Minor | 5 | 5A | 105 BPM | ||
Ambassador Retires | Charlie Chaplin, Thomas Beckmann | D Major | 1 | 10B | 67 BPM |
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