Anonymous, Ensemble Correspondances, Sébastien Daucé's 'Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: Entrée pour la Lune' came out on September 3, 2015. With Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: Entrée pour la Lune being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 30 out of 68. On top of that, France appears to be the country where this track was created. Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: Entrée pour la Lune is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: Entrée pour la Lune by Anonymous, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beati Mundo Corde; Quicumque Christum | Monks Of The Abbey Of Notre Dame | B♭ Minor | 1 | 3A | 142 BPM | ||
Diferencias Sobre el Canto de "La Dama le Demanda" | Antonio de Cabezón, Doulce Mémoire, Denis Raisin-Dadre | E♭ Minor | 1 | 2A | 152 BPM | ||
Responsorium | Chants From the Holyland- Graz Gregorian Chants School of Austri | B Minor | 2 | 10A | 73 BPM | ||
Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM | ||
Dans la joie de Pâques : Communio Pascha Nostrum | Dom Le Feuvre, Choeur des Bénédictins de l'Abbaye de Kergonan, Congrégation de Solesme | A Major | 1 | 11B | 174 BPM | ||
Missa cunctipotens genitor Deus - Agnus Dei | Nova Schola Gregoriana, Alberto Turco | G Major | 0 | 9B | 138 BPM | ||
Cantus Officiorum: Responsorium: Tenebrae factae sunt | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luigi Benedetti | E♭ Major | 1 | 5B | 131 BPM | ||
Missa orbis factor - Agnus Dei | Nova Schola Gregoriana, Alberto Turco | E♭ Major | 0 | 5B | 136 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Asperges Me - Chant Mass | OCP Session Choir | D Major | 1 | 10B | 103 BPM |
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