"Colibri, Op. 72" by Laura Netzel, Miriam Terragni, Catherine Sarasin was released on April 22, 2022. The duration of Colibri, Op. 72 is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Colibri, Op. 72's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Trouvez les femmes! Vol. 1 (Female Composers of the Romantic Era)". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. The popularity of Colibri, Op. 72 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Colibri, Op. 72 by Laura Netzel, Miriam Terragni, Catherine Sarasin having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM | ||
Pour le Piano, CD 95: III. Toccata | Claude Debussy, Mao Fujita | D♭ Minor | 0 | 12A | 129 BPM | ||
Scherzo in C Minor for Violin & Piano (from the FAE-Sonata) | Johannes Brahms, KIM NAYOUNG | E Major | 2 | 12B | 119 BPM | ||
Fra Gudbrandsdalen, Op. 9: IV. Dei som drog i krigen 1807 | David Monrad Johansen, Rune Alver | F Minor | 1 | 4A | 142 BPM | ||
Lyric Pieces, Op. 12: No. 1, Arietta (arr. V. Godar) | Vladimír Godár, Edvard Grieg, Takako Nishizaki, Jenő Jandó | E♭ Major | 2 | 5B | 98 BPM | ||
Mosè-fantasia, Op. 24, MS 23 (Arr. for Violin & Orchestra by Italo Vescovo): Recitativo - Moderato - Allegro - Preghiera | Niccolò Paganini, Luca Fanfoni, I Musici di Parma Orchestra, Antonio De Lorenzi | F Minor | 1 | 4A | 86 BPM | ||
Piano Sonata in E-Flat Major, Op. 27: IV. Allegro non troppo | Laura Netzel, Lucia Negro | B♭ Major | 2 | 6B | 92 BPM | ||
Divertimento in D Major, Hob. XI.113: I. Adagio | Franz Joseph Haydn, Denis Brott, Samuel Sanders | D Major | 1 | 10B | 145 BPM | ||
Abbey Road concerto for Violin and Orchestra: I. Ouverture | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 2 | 11B | 95 BPM | ||
Bagatelles, Op. 47, B. 79: No. 2, Tempo di minuetto. Grazioso | Antonín Dvořák, Ralph Evans, Efim Boico, Niklas Schmidt, Ryoko Morooka | G Major | 1 | 9B | 116 BPM |
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